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Week in the World: Lindsay Lohan Takes the Cake Edition

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Lindsay Lohan.Jeff Minton for The New York TimesThis roundup’s strongest piece of journalism goes to Stephen Rodrick, contributing writer at the New York Times Magazine and contributing editor at Men’s Journal, for his piece Times, “Here is What Happens When You Cast Lindsay Lohan in Your Movie.”

Rodrick was given full access to the filming of Lindsay Lohan’s forthcoming low budget, Kickstarter-funded film, “The Canyons,” directed by Paul Schrader and written by Bret Easton Ellis. It reads as a fair piece, which, with Lohan as a subject, is a feat all on its own. What makes it so incredible, however, is that the writing is fantastic. It truly is a lesson in feature writing, to be printed, studied, and saved.

A bit of background:

Schrader wrote “Raging Bull” and “Taxi Driver” and has directed 17 films. Still, some fear Lohan will end him. There have been house arrests, car crashes and ingested white powders. His own daughter begs him not to use her. A casting-director friend stops their conversation whenever he mentions her name. And then there’s the film’s explicit subject matter. Full nudity and lots of sex. Definitely NC-17. His wife, the actress Mary Beth Hurt, didn’t even finish the script, dismissing it as pornography after 50 pages.

Dunham and Apatow.credit Art Streiber

Noir-like description of Lohan:

“She was quite pale, her skin not on speaking terms with daylight.”

This article had been so popular with #longreads fans that they begged for an interview with Rodrick on their Longform Podcast. Rodrick discusses how the assignment came about, the access he had, and how writing stories for The New York Times works.

Another great interview in Longform’s growing archive is with Charles Duhugg, New York Times reporter and author of The Power of Habit. Here he talks about journalism, best practices for writing (and life), and (again) how The New York Times works.

On his approach to interviewing for a job, which can be applied to many other things:

You want to be surprising. People love surprises. That is how we stay interested.

Marley

On using edited material for “bonus features”:

The stuff that gets cut out gets cut out for a reason. The discipline of space is always a good discipline. If it deserves to be read, it shouldn’t be on the cutting room floor… If it ends up on the cutting room floor, there’s usually a reason why.

Parul Sehgal, Editor at the New York Times Book Review, former Books Editor at NPR, explores three essay collections in an essay of her own.

Invented in France by Michel de Montaigne, the 16th century’s great oversharer; perfected in England by Samuel Johnson and William Hazlitt; the essay found America very agreeable: “The United States itself — and even its name, according to some sources — is partly the outcome of the essayistic brilliance of the radical English artisan Thomas Paine,” Christopher Hitchens, one of its finest modern practitioners, wrote.

The Millions ran an argument in favor of reading fewer books in 2013:

This past year I read 56 books. That’s slightly off the pace of 60 books a year that I’ve set over the previous 12 years, but then I did read a lot of very long history books this year — yes, I’m looking at you, Robert Caro – and my wife and I did make a very time-consuming move to Canada late in the year. Or at least that’s what I’m telling myself. Maybe the real answer is that I’m just getting tired of trying to read so damn many books.

Seth Green

Podcast host extraordinaire Colin Marshall sat down with Los Angeles Review of Books founder and editor-in-chief, Tom Lutz. They talk about the LA literary scene, book reviewing, and what it’s been like running the Review. You can catch Colin Marshall regularly as host of Notebook on Cities and Culture, “a twice-weekly long-form conversation with cultural creators, internationalists, and observers of the urban scene around Los Angeles, San Francisco, Portland, Osaka, Kyoto, and beyond.”

Lena Dunham and Judd Apatow had this totally adorable–and insightful–conversation via Skype (transcribed for print) about how they collaborate. It sounds like a very healthy relationship.

Apatow: You know, the show is run differently from other shows because we’re trying to really filter everything through you. My goal is to have you do as much work as possible without getting killed. So part of what I’m trying to do is pace you so you don’t collapse. For me, a lot of the work is just having a very fresh brain and set of eyes to read things and look for where there are holes or trouble and then trying to help fix that.

Dunham: I feel like you’re constantly monitoring my brainpower and body power, even when I’m not able to tell what I’m feeling.

And Lena Dunham was on Here’s the Thing with Alec Baldwin. Incredible conversation.

The Bob Marley documentary “Marley,” now streaming on Netflix, is beyond amazing. I hope to have a proper writeup in the near future but, in the meantime, watch it. Seriously.

always, Susan Morris has some great advice for writers. Here she has 10 exercises to help hone your craft and Seth Green’s interview with Marc Maron was a good one.

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Written by Gabrielle

January 22, 2013 at 6:51 am

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