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Legends in Exile, the folklore of Bill Willingham

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The story opens in modern day New York City. A man rushes out of a taxi on the corner of Bullfinch and Kipling and into The Woodland Luxury Apartments. He runs past the office of S. White and barges into the one of B. Wolf. There’s an emergency. Snow White’s younger sister, Rose Red, is missing — possibly dead — her apartment overturned, and her living room covered in blood.

This is the start to Fables, the graphic novel set in the world of creator Bill Willingham where fairy tale and folklore-inspired characters attempt to rebuild their lives. United only after an evil being known only as “The Adversary” took over their kingdoms, the Fables live among humans — or “Mundanes” as they’re called. Those who are able blend in operate within a secret community called Fabletown located in Manhattan; those who can’t live on a farm upstate.

Legends in Exile, a collection of the first five issues, is written as a classic murder mystery. Jack, as in Jack and the Beanstalk, Rose Red’s ex-boyfriend and the first to discover the apartment, is the one in the opening scene running to tell Bigby (Big Bad) Wolf, Fabletown’s sheriff, about the crime. True to the genre, nearly everyone is suspect and soon Jack is taken into custody. Snow White, the deputy mayor, is also questionable, given her tenuous relationship with her sister. Bluebeard, who was secretly engaged to Rose Red, soon finds himself on the list as well. It’s up to Bigby and his aptitude for observation to determine what happened to Ruby and figure out where she is now.

Although Willingham’s intent was not to create a fairy tale for a “mature” audience, Prince Charming’s risqué behavior and Snow White’s profanity-inspiring temper alone ensure that these stories are far from those of your childhood. The Fables series is for folklore enthusiasts and comic book fans alike.

::[Links]::
Buy Legends in Exile at your local store
Read an interview with Bill Willingham on Comic Book Resources

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Written by Gabrielle

November 26, 2013 at 6:57 am

Week in the News for November 18

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Here are this week’s interesting publishing and media stories. Add your favorites to the comments section.

E-books, E-readers, and Apps

  • In Russia, 95% of e-books are pirated. A company has developed an app to stop the trend. All Tech Considered
  • Self publishing is big in Germany and has helped Amazon dominate the e-book market. Publishing Perspectives
  • E-books are increasingly popular holiday gifts. Forbes

Tech

  • The Internet is a valuable distraction for this writer. New York Times
  • How technology changes language. Prospero
  • 18 games for typography fans. Mashable

Social Media

  • 10 surprising social media facts. FastCompany
  • 5 tools for identifying online influencers. PR Daily
  • Derek Thompson reviews the video sharing site Upworthy. The Atlantic
  • The semantics of online advertising. The Guardian

Media and Publishing

  • Publishing experts debate the future of the book. Publishers Weekly
  • A roundup of independent print magazines and interviews with the editors. New York
  • Brief interviews with very small publishers. The Morning News
  • Five female writers discuss sexism in the literary world. Brooklyn Based
  • Reality TV shows for writers are cropping up around the globe. The Guardian

Lifehack and Business

  • How to build a strong team at work. Fast Company
  • How to build a balanced creative team. 99u
  • 10 brands that changed the world. AdWeek
  • Coca-Cola is aiming to kill the press release. PR Daily

Writing and Grammar

Podcasts

  • Author, publisher, and Powell’s bookseller Kevin Sampsell talks to Brad Listi. Other People
  • Media strategist Ryan Holiday talks to Mitch Joel. Twist Image

For fun

Written by Gabrielle

November 22, 2013 at 10:25 am

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What to Listen To: Rinse FM

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RinseUntil 2010, 16 years after its founding, Rinse FM was a pirate radio station, broadcasting illegally from many east London rooftops. Although now outfitted with a proper license, operating in the open, Rinse holds true to its underground roots and continues to champion dubstep, UK funky, grime, and, in general, “youth-orientated music culture.”

That last part about youth culture is an integral component to Rinse’s philosophy. Rinse began when owner Geeneus and his DJ friends were kicked out of the stations where they had shows and were told they were too young when they went looking for new gigs. Frustrated with the politics of the scene, Geeneus and his friends decided to go out on their own; and so Rinse began.

During the early years, Geeneus didn’t have much of a plan beyond keeping ahead of what was new and hiring talented DJs but in 2009 he started a compilation series of mixes from Rinse’s all-star roster, a group categorized as “family” on the website. With the series now at two dozen albums, Rinse’s mix sessions are essential to any collection attempting to claim underground credibility.

Here are just a few suggestions to get you started.

Rinse 20 :: Uncle Dugs
Uncle DugsAccording to Rinse FM’s website, Uncle Dugs is their only dedicated to old skool DJ. If his mix for the label is any indication, I’d be hard pressed to disagree. Starting with “We Are I.E.,” a breakbeat track from 1991, Uncle Dugs sets the stage for a throwback album. “I’ve called it my ‘Story of Jungle mix’,” says Dugs. “It’s a story of jungle music until it changed to drum and bass.”

As one would guess from that statement, there is a depth and breadth to the mix. Tracks range from classic drum and bass–featuring artists such as Alex Reese, Shy FX, and Andy C–to the dub of X-Project and Conquering Lion. Upbeat throughout, although not afraid of the dark and grimy, Dubs’s mix is an excellent collection of what drum and bass has to offer. It’s a gift to those who grew up on 90s jungle and mandatory for those who missed it.

Rinse: 11 :: Oneman
OnemanOneman joined Rinse in 2007, coming up through garage and dubstep. His mix, ranging from dubstep, to vocal house, to grime, to the quirky tracks of Modeselektor and Crystal Fighters, shows off his versatility. In an interview with Spin he explains, “a set’s all about going up and down for me, like a rollercoaster. I never want to be in once place the whole time. I get really bored easily.”

Oneman, with his eclectic tastes and knack for blending seemingly unmatchable tracks, creates an album full of surprises; you never know what’s coming next.

Rinse: 22 :: Kode 9
Kode 9Until recently, Rinse mixes were limited to their station DJs. Now, they’ve moved beyond their initial vision to include outsiders whose work they admire. This year Kode 9 made the list, for good reason. His mix is dark but energetic: a mix of grime, footwork, and heady downtempo with the longest track clocking in at four minutes, with most at or under two.

Beyond his DJing skills, Kode9 is an interesting character. He teaches music culture at the University of East London, and published a book with MIT Press in 2009 called Sonic Warfare: Sound, Affect, and the Ecology of Fear, an exploration of vibrational force, from military research to crowd control, to corporate sonic branding, and sonic encounters of sound art and music culture.

His mix is just as smart.

Rinse: 8 :: Alexander Nut
Alexander NutAlexander’s mix encompasses a range of highly produced tracks, from the super-dancey electro house of D-Boogie, to the soul of Canadian producer Marco Polo, to the tweaky Jamaican beats of Roots Manuva, to the grimy underground hip hop of Eric Lau and 2-Tall. These tracks distinguish Alexander’s mix from many others in the Rinse series. He’s considered the station’s only experimental hip hop DJ and is quoted as saying that he’s “never belonged to one particular group” and that he is “a child of the universe.” This early mix in the series is perfect for those who want a brighter album with that trusted Rinse quality. Lots of vocals on this one.

Written by Gabrielle

September 24, 2013 at 6:48 am

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