Archive for the ‘Week in the World’ Category
Here’s a roundup of what’s been occupying my time these past few weeks.
St. Vincent’s new album, eponymously named St. Vincent, is out this week. If you haven’t heard her music yet, think Bjork and Tori Amos and you’re pretty close. Studio 360 spoke with her and The Guardian is streaming the new album.
New York magazine spoke with television producer Lorne Michaels about Saturday Night Live, the comedians he’s launched, and the various shows that have come out of his legendary late night program.
NY Mag: Have you ever felt restricted by the standards of broadcast TV?
LM: No. I believe that there’s no creativity without boundaries. If you write a sonnet, it’s got to be fourteen lines. If you write one that’s nine lines, it’s not a sonnet. So we have to be clever. We’re in a medium that goes into people’s homes, and, very often now, people watch our show with their kids.
Marc Maron is now dating Moon Zappa, and appears to be very happy. He tells the story of how they got together in the monologue of this episode. It’s a great reason to go back and listen to his interview with Moon from October 2013.
Speaking of podcasts, I can’t believe it took me until the 123rd episode to start listening to Throwing Shade, an irreverent comedy show hosted by Erin Gibson and Bryan Safi. Together they take on the pop culture topics of the day with blatant disregard for political correctness. They are hilariously brilliant — and brilliantly hilarious. If you want to break out of the winter doldrums, put this on your iPod.
If you’ve finished watching House of Cards and are waiting for the second season of Orange is the New Black to start this summer, you should consider watching Shameless, a British TV show about a family (and their surrounding neighbors) who live in a public housing community. There are no connecting themes to either of the Netflix shows, except that all seasons are streaming and it’s awesome. The first season features James McAvoy if you need some incentive.
I just plowed through Will Self’s 2006 collection of essays, Junk Mail. Spanning much of the 90s, these nonfiction works are taken from places such as the Evening Standard, the Observer, the Independent, Esquire, GQ and the like. The opening piece, “New Crack City,” describes a crack den Self once knew and the second, “On Junky,” is an introduction to William S. Burroughs’ popular work of semi-autobiographical fiction. But it’s not all drugs in this one. Self also writes about his stay at a hotel made of ice, there’s a profile of Bret Easton Ellis, a thought piece on Morrissey, and interviews with artist Damien Hirst and author J.G. Ballard.
The other week, The New York Review of Books ran the short story To Kill a Child by Swedish writer Stig Dagerman. It’s eery and compelling and might just bring back those winter blues so have Throwing Shade handy after reading.
As a Publicity Manager specializing in online media for a publishing house, every week I’m required to put together a roundup of links to send out company-wide. Since everything looks like a blog post to a blogger I thought putting it here as well was a no-brainer. So, from here on out, I’ll have weekly link roundups featuring publishing and tech news. Please feel free to share your favorite news and sites in the comment section; I’m going to need all the help I can get!
E-books and Readers
- PM Press in Oakland, Calif., is the first book publisher to bundle free e-books with nearly every one of the physical books purchased on its Web site. Publishers Weekly
- How popular are digital magazines? The Guardian
- Can traditional bookstores survive? A roundup of opinions. The New York Times
- B&N reports a 20% decline in Nook revenue. AppNewser via B&N press release
Apps and Tech
- There’s a new, free scheduling app that breaks down your day into people, places, tasks, and locations. Fast Company
- Best Android Apps for writers. AppNewswer
- This interactive device is threatening to kill the mouse. FastCoLabs
- Four tips for tweeting content. All Twitter
- 10 social media tips from the Financial Times. Journalism.co.uk
- How to use Google+ for book promotion. Digital Book World
- 10 journalism sites and media people to follow on Twitter. PR Daily
- Using multimedia in your tweets increases the chance people will share it. Poynter
- How bookstores promote events today. Shelf Talker
Media and Publishing
- Conde Nast signed a distribution deal with Amazon that is the first of its kind. Conde Nast president Bob Sauerberg said, “We want to go from selling print subscriptions to selling access to all our content.” Fast Company
- Listicles are here to stay, because the kids like them. DigiDay
- Cory Doctorow on improving book publicity in the 21st century (spoiler: know who uses NetGalley). Locus Magazine
- The “Today” show has a new book club. Publishers are happy. New York Times
- A new online and print magazine called The Riveter highlights longform writing by women. Poynter
- What’s up with cover reveals? Beyond Her Book
Writing and grammar
- “Proofreading is the last line of defense for quality control in print and online publishing.” Here are 7 proofreading steps to make sure your writing is up to snuff. Daily Writing Tips
- 9 tips for a better author bio. LitReactor
- What was once called “small talk” is now “conversational intelligence.” Here are five stages of a successful conversation. WSJ
- If you still need help, here are six tips for having productive conversations. Fast Company
- A critical look at Google’s “20% time,” which allows employees to work on hobbies during work. Harvard Business Review
Podcasts and Radio
- What Lady Gaga can teach business about building and maintaining customer loyalty. Twist Image Podcast
- Freelance book publicist Lauren Cerand shares some useful insight. Late Night Library
- Media mogul and teen fashion blogger Tavi Gevinson talks to Books & Arts Daily. Radio National
- Jeff Bezos, The Washington Post, and the Future of Newspapers. On Point
This post originally ran on Longreads, where I now contribute a monthly podcast roundup.
For a while now we’ve been hearing about the rise of television, how shows like Mad Men, Breaking Bad, and Game of Thrones have surpassed the film industry when people think of quality viewing experiences. Gone are the days where writers and actors dreamed of making it big in pictures, now talent is flocking to small screen.
Here are some recent interviews that will be of interest to those who like to dig deeper.
A recent panel discussion on WBUR’s On Point featured Lynda Obst, a film and television producer whose credits include “Sleepless in Seattle” and whose recent book, Sleepless in Hollywood: Tales from the New Abnormal in the Movie Business, chronicles the recent changes in the movie industry—big blockbusters becoming more common with smaller films barely being made. Alongside Obst, sometimes arguing, sometimes agreeing, was Sharon Waxman, CEO and EIC of TheWrap.com, a site that covers Hollywood and film industry.
Still making small films, however, is Sofia Coppola. This summer she’s back with The Bling Ring, a film based on the real life events of a group of California teenagers obsessed with celebrities; so much so that they break into stars’ homes. Sofia spoke with host Elvis Mitchell about making a true crime film and her filmmaking career so far.
Mad Men just wrapped up its sixth season and has one more to go before it’s off the air for good. Terry Gross spoke with Elisabeth Moss, better known as Peggy, about the evolution of her character, how she came to be an actress, and how much she knows about the show’s direction before shooting an episode.
Another excellent show currently on television is Sons of Anarchy, the story of a biker gang in California’s Central Valley, running drugs, guns, and their small town. “Jax” Teller, one of the heads of the club is played by Charlie Hunnam who, in real life, turns out to be British. In this interview with Chris Hardwick he talks about being approached by real bikers, his life growing up in a working-class town in North East England, and what it’s like to play a character for so many years.
Something that’s starting to get a lot of attention these days are web shows. One show that’s doing particularly well is The Lizzie Bennet Diaries, which, according the series’ site, “is a modernized adaptation of the classic Jane Austen novel, Pride and Prejudice” with the story told primarily through the lead character Lizzie Bennet‘s video diary entries.
Nerdist Writer’s Panel host Ben Blacker sat down with co-creator Bernie Su, writers Margaret Dunlap, Rachel Kiley, and Kate Rorick, and writer/transmedia guy Jay Bushman to talk about the impetus for the series and how it gets made.
Bonus: Orange is the New Black
I’ve started watching the new Netflix series, Orange is the New Black, a show based on author Piper Kerman’s memoir by the same name which tells the story about the 15 months she spent in prison for a small part she played in a drug smuggling ring. Orange stars Terry Schilling as Piper; Jason Biggs as her fiancée; Laura Prepon of That 70s Show as Alex Vause, Piper’s ex-girlfriend who introduced her to smuggling; and Natasha Lyonne of Slums of Beverly Hills, But I’m a Cheerleader, and American Pie as the ex-junkie inmate who knows how to get along on the inside.
You can read an excerpt from Kerman’s book on Salon, an interview with her on The Los Angeles Times about having her book made into a show, and an interview from 2012 about the book on The Rumpus. Piper even learned a few tips that you can apply to your worklife and shared them with Fast Company. Then, check out the two books Natasha Lyonne believes capture prison life.
It’s been a big month in podcast world. Here are a few that have been especially amazing.
Judd Apatow sat down at Largo for Jeff Garlin’s incredible live show By the Way, in Conversation with Jeff Garlin. On WNYC, David Simon spoke with Alec Baldwin on his show Here’s the Thing. Aisha Tyler had a cold the other week and aired what was previously a premium episode, an interview with Henry Rollins.
Marc Maron’s doing the media rounds for his new book, Attempting Normal, and his show on IFC, Maron, and was just on the Nerdist to talk about both–among other things. In a more recent episode of The Nerdist, Billy Crystal was on the show to talk about his new movie Monsters University and also got around to discussing a few stories from his time in comedy. NPR’s comic critic Glen Weldon, who just wrote an unauthorized biography of Superman, was on the Nerdist Comics Panel to talk about the history of the superhero.
House DJ and producer Felix da Housecat dropped by KCRW to discuss the origins of house music and how he became a DJ on Metropolis. The most recent episode of the show features an interview with the two brothers who make up Disclosure, an excellent British electronic act with a new album, which I can’t recommend enough.
Meanwhile, on the Los Angeles Review of Books’ podcast, host Colin Marshall talks with co-authors Jeff Weiss and Evan McGarvey about their book 2pac vs. Biggie: An Illustrated History of Rap’s Greatest Battle, a must-listen for hip hop fans. Also not to be missed, WBEZ’s Sound Opinions explored Johnny Cash’s legendary live album, Live from Folsom Prison.
Late Night Library, an excellent podcast that interviews publishing industry professionals, spoke with fellow podcaster Ed Champion and, before that, literary agent Laura Liss. Speaking of Ed Champion, he sat down with Claire Messud for her latest novel, The Woman Upstairs.
One of my new favorite podcasts hosted by Joyland Magazine spoke with the incredible writer and critic Roxane Gay. And on a long-time staple, Other People, Brad Listi spoke with Maggie Nelson, author of Bluets, a book I loved.
Lexicon Valley, Slate’s language show, is back after a brief hiatus and the first episode is on the odd phrase, “Yeah, no …”. I’ve been warning everyone, after you listen to it, you’re going to hear everyone saying it. And finally, great news, Book Riot’s Rebecca Schinsky and Jeff O’Neal are now co-hosting a bookish podcast that is more than worth a listen. For talk on new releases and book news, subscribe to this one today.
What are you listening to?
Here are just a few awesome things I came across in the past few days.
KCRW’s music director, Jason Bentley, has brought back Metropolis, his radio talk show featuring electronic music pioneers. Before going on hiatus in 2008, he spoke with such legends as Daft Punk, Paul Oakenfold, James Lavelle, The Crystal Method, and Thievery Corporation.
In a recent interview with Cool Hunting, Bentley talks about what made him start his show in the late 90s.
I was just attracted to underground dance music and culture, European dance culture, house music and trip hop. All of this stuff that was percolating was really exciting to me. At that point it was just really fresh and had not been categorized. Growing up through the club scene and rave scene was really exciting. It was always sort of renegade. I still have close friends from those days. It was such a transformative time to grow up in this really creative space of the club. The cool thing about the club scene and the underground is everybody is looking for something—who they are, their identity, their purpose, their creative side. Everyone is trying to figure out who we are and why are we here. For me finding the community in this very creative world of club scene and dance music was incredibly important.
On a show that aired in late March, Bentley talks with legendary drum and bass producer and DJ Photek. If you were at all into the jungle scene in the 90s, you’ll want to listen to it. Photek talks about the early days of the genre, when everything was groundbreaking, when sounds, styles, and technology were just developing.
Alec Baldwin, a few episode ago on his show Here’s The Thing, spoke with Radiohead frontman Thom Yorke about his new album Amok with the group he put together for the project, Atoms of Peace. The two talk about how Radiohead started, how it was touring with Michael Stipe, and his kids.
the nicest bit about the creative thing – the nicest bit about recording and writing is this sort of weird limbo in between scratching away, scratching away, nothing really happening, nothing really happening, and then something wants to be built and starts to get built. You just have to let it happen.
There’s been a lot of celebration surrounding the announcement of Granta’s once-a-decade “Best of Young British Novelists” list. As always, it includes 20 British writers under the age of 40. Although it includes well-known authors such as Zadie Smith, Helen Oyeyemi, and Adam Foulds, there are a few writers on there who are just starting out: one author being Taiye Selasi whose first book, Ghana Must Go, is being published this month in the US by Penguin Press.
There have been a number of articles discussing the selection process. The BBC takes a look at what the list means to publishers, in The Telegraph judge Gaby Wood discusses the selection process, and Granta editor, John Freeman, speaks with the National Book Critics Circle for an interview on their blog.
This month kicked off a worldwide tour surrounding the list’s publication. Check out Granta’s website to see if anything is happening near you. Also on the site are articles by and interviews with the winners.
Also exciting for book people, particularly those who enjoy translated fiction, is the Best Translated Book Award run by Three Percent, the website of The University of Rochester’s literary publishing house, Open Letter Books. The longlist was announced in March and since that time there’s been a review of each book with the sole purpose of explaining why that book deserves to win. On the Three Percent podcast, which I highly recommend you subscribe to in iTunes, Chad Post of Open Letter and Tom Roberge of New Directions discuss the books.
E VS. INK
As the publishing world continues to march head on into the digital age, much of the talk surrounding print books vs. eReaders can get reductive. I have my own opinions, which are of the middle-of-the-road sort so I will spare you. However, if you’re interested in theses competing (and complementary) mediums, this article in Scientific American about the brain science of reading might offer a nice break from the typical discussions taking place.
Understanding how reading on paper is different from reading on screens requires some explanation of how the brain interprets written language. We often think of reading as a cerebral activity concerned with the abstract—with thoughts and ideas, tone and themes, metaphors and motifs. As far as our brains are concerned, however, text is a tangible part of the physical world we inhabit. In fact, the brain essentially regards letters as physical objects because it does not really have another way of understanding them.
Over on the New York Times Opinionator blog, Drafts, author Ben Dolnick writes about the dangers of reading too many interviews with writers about craft.
Speaking of author interviews, Other People podcast spoke with essayist and critic Michelle Orange. For those interested in the two genres, they will be well-served by listening. And anyone who’s been tapped into the intersection of teen blogging and fashion will be aware by now of Tavi Gevinson, most recently the founder of the teen-focused website Rookie. She spoke with AdWeek about her rise to notoriety and how she balances work, school, and a personal life every teen should be allowed to have. Perhaps not surprisingly, she’s well-adjusted for someone as busy as herself. In fact she says, “for the most part, I’ve kind of figured out a way to do everything I want without exhausting myself.”
This roundup’s strongest piece of journalism goes to Stephen Rodrick, contributing writer at the New York Times Magazine and contributing editor at Men’s Journal, for his piece Times, “Here is What Happens When You Cast Lindsay Lohan in Your Movie.”
Rodrick was given full access to the filming of Lindsay Lohan’s forthcoming low budget, Kickstarter-funded film, “The Canyons,” directed by Paul Schrader and written by Bret Easton Ellis. It reads as a fair piece, which, with Lohan as a subject, is a feat all on its own. What makes it so incredible, however, is that the writing is fantastic. It truly is a lesson in feature writing, to be printed, studied, and saved.
A bit of background:
Schrader wrote “Raging Bull” and “Taxi Driver” and has directed 17 films. Still, some fear Lohan will end him. There have been house arrests, car crashes and ingested white powders. His own daughter begs him not to use her. A casting-director friend stops their conversation whenever he mentions her name. And then there’s the film’s explicit subject matter. Full nudity and lots of sex. Definitely NC-17. His wife, the actress Mary Beth Hurt, didn’t even finish the script, dismissing it as pornography after 50 pages.
Noir-like description of Lohan:
“She was quite pale, her skin not on speaking terms with daylight.”
This article had been so popular with #longreads fans that they begged for an interview with Rodrick on their Longform Podcast. Rodrick discusses how the assignment came about, the access he had, and how writing stories for The New York Times works.
Another great interview in Longform’s growing archive is with Charles Duhugg, New York Times reporter and author of The Power of Habit. Here he talks about journalism, best practices for writing (and life), and (again) how The New York Times works.
On his approach to interviewing for a job, which can be applied to many other things:
You want to be surprising. People love surprises. That is how we stay interested.
On using edited material for “bonus features”:
The stuff that gets cut out gets cut out for a reason. The discipline of space is always a good discipline. If it deserves to be read, it shouldn’t be on the cutting room floor… If it ends up on the cutting room floor, there’s usually a reason why.
Parul Sehgal, Editor at the New York Times Book Review, former Books Editor at NPR, explores three essay collections in an essay of her own.
Invented in France by Michel de Montaigne, the 16th century’s great oversharer; perfected in England by Samuel Johnson and William Hazlitt; the essay found America very agreeable: “The United States itself — and even its name, according to some sources — is partly the outcome of the essayistic brilliance of the radical English artisan Thomas Paine,” Christopher Hitchens, one of its finest modern practitioners, wrote.
The Millions ran an argument in favor of reading fewer books in 2013:
This past year I read 56 books. That’s slightly off the pace of 60 books a year that I’ve set over the previous 12 years, but then I did read a lot of very long history books this year — yes, I’m looking at you, Robert Caro – and my wife and I did make a very time-consuming move to Canada late in the year. Or at least that’s what I’m telling myself. Maybe the real answer is that I’m just getting tired of trying to read so damn many books.
Podcast host extraordinaire Colin Marshall sat down with Los Angeles Review of Books founder and editor-in-chief, Tom Lutz. They talk about the LA literary scene, book reviewing, and what it’s been like running the Review. You can catch Colin Marshall regularly as host of Notebook on Cities and Culture, “a twice-weekly long-form conversation with cultural creators, internationalists, and observers of the urban scene around Los Angeles, San Francisco, Portland, Osaka, Kyoto, and beyond.”
Lena Dunham and Judd Apatow had this totally adorable–and insightful–conversation via Skype (transcribed for print) about how they collaborate. It sounds like a very healthy relationship.
Apatow: You know, the show is run differently from other shows because we’re trying to really filter everything through you. My goal is to have you do as much work as possible without getting killed. So part of what I’m trying to do is pace you so you don’t collapse. For me, a lot of the work is just having a very fresh brain and set of eyes to read things and look for where there are holes or trouble and then trying to help fix that.
Dunham: I feel like you’re constantly monitoring my brainpower and body power, even when I’m not able to tell what I’m feeling.
And Lena Dunham was on Here’s the Thing with Alec Baldwin. Incredible conversation.
The Bob Marley documentary “Marley,” now streaming on Netflix, is beyond amazing. I hope to have a proper writeup in the near future but, in the meantime, watch it. Seriously.
I don’t believe this is a new phenomenon but I’ve noticed an overwhelming amount of quality journalism on the Internet lately. Here are a few pieces that made me think about creative nonfiction, links to more straightforward writing articles, and, of course, television shows and podcasts for when you’re done reading.
The Food That Ate Manhattan: The Implacable Rise of Frozen Yogurt Leaves Us Cold by Kim Velsey for The New York Observer
Anyone who knows me knows about my terrible frozen yogurt habit. I’ve memorized the locations of all the self-serve places below 14th street. I know the Tasti-d-Lites that surround the stores and coffee shops I frequent. I couldn’t go a day without it, or at least not easily. So, when I came across this fantastic article on the rise of frozen yogurt, specifically in New York City, and read its mocking, horrified tone, I was enthralled and wanted to share with everyone I knew.
It was not until one day in Union Square that I realized, in a moment of disquieting clarity, that frozen yogurt shops were everywhere. A Joyride frozen yogurt truck idled by the park, Diet Lite Ice Cream was visible just down 17th Street, and a Yelp search revealed that a Pinkberry, a Tasti D-Lite, a Red Mango, a 16 Handles, a Yoqua Bar and a Yogurberry were all within a five to 10 minute walk. None of which were deemed satisfactory by the friend at my side, who urged us on toward Flavaboom on Sixth Avenue, where one could get the nonfat flavors twisted together and heaped with cheesecake bites and cookie dough.
Nearly skipping with anticipation, she raved about frozen yogurt the whole way there. It was alarming. How could she be so into frozen yogurt? I wondered. How could anyone?
Saying Goodbye to Now by Thomas Beller for the New Yorker’s Culture Desk
Thomas Beller is an excellent observer. In this essay he looks at the difference between memories and photographs. At one point he asks, “Are [these memories] any more vivid to me because there are no photographs? Conversely, would photographing have taken me away and made it all less sharp in my mind?” But first he begins:
My daughter was now airborne. A flying monkey coming right at me, headfirst: straw-yellow hair, a blue skirt, blue spaghetti-strap shirt, apple cheeks, and lips garishly smudged with pink lip gloss within which is the whiteness of her bared teeth—
Stop! Right here, let’s freeze the frame. Here is an image that I will never see again, except in my memory. A girl in mid-flight, waves of green behind her, her face all bright with the colors —blue, pink, yellow, white—of joy and delight, and behind her, as though it was the place from which she had fled, an old, dignified mansion.
Right then, as she was airborne, my hand twitched and slapped my pocket, in the dim hope that I could locate my camera, pull it out, and shoot while the moment still held. But there was no camera, and anyway there was no time. I will never forget this image, though I may already be embellishing it. And you will never see it. You may picture it, but the picture itself was not taken. I had to fight off a sadness about this, because the moment, after all, was happening, and it was beautiful, and anything that detracted from my perception of that was a shame.
Deconstructed—Chris Ware’s Innovation by Steve Almond for The New Republic
Steve Almond is one of my favorite contemporary writers. I particularly like his nonfiction and usually find that his essays double as a writing lesson. In this review of Chris Ware’s epic graphic art experiment, Building Stories, Almond teaches us how to write about things of which we have no authority:
Let’s start with my qualifications as a critic of graphic novels: Putting aside an adolescent excursion into a stoner comic strip called the Fabulous Furry Freak Brothers, I have none. Worse yet, I tend to associate graphic novels with the regressive and haughty wing of hipsterism, the one that favors mope rock and off-brand beers. I guess what I’m getting at here is that I’m a nitwit.
There is no greater evidence of my nitwittedness (currently) than my initial reaction to the new release by the graphic novelist Chris Ware, who I have come to understand is something of a big deal in his field.
While this is totally hilarious, it is also getting at a problem that deserves attention–how do you write about something you haven’t got the slightest clue about? How do you look at a text, a work of art, a film, or listen to a piece of music and judge it, deconstruct it, and put to paper your thoughts and observations without context? Steve Almond breaks the taboo, touts his ignorance, and, inadvertently, champions the amateur.
Four hours with John McAfee by Adam Thomson for The Financial Times
This profile of John McAfee, a tech tycoon who went on the lam after his neighbor was murdered, is a story that got really weird, really fast. The first reporting I’d read was in the Financial Times when one of their correspondents met up with him in Belize to write a profile:
There was nothing serene or tranquil about McAfee. As soon as he closed the front door, he ditched the limp and the crippled arm. Then, hands trembling, he reached for one of several cigarette packets lying on the table.”
His distress, and that of Samantha, his feisty 20-year-old Belizean girlfriend – during the interview, she accused me of being scared: “I’m young and smaller than you and I’ve got more balls” – was more than understandable given the saga that their lives had become over the previous few weeks.
Apparently, VICE magazine was there as well and gave away McAfee’s location through an iPhone photo embedded with GPS coordinates. Something McAfee is now suing them for. However, as The New York Times Decoder blog reports:
Within 36 hours, he began an aggressive campaign to court and spin coverage of his story. … Mr. McAfee seemed to understand the dynamics of journalism well enough to know which assertions reporters would pass along without double-checking or qualifying — like his claim that he had eluded the police by burying himself in sand and positioning a box over his head — even as his self-created narrative veered ever further into the surreal.
WRITING and PUBLISHING
How to Write a Book Review from Daily Writing Tips
Why Netflix Makes You a Better Writer on LitReactor
Five Dos and Don’ts for Picking an Editor by Susan J. Morris for Omnivoracious
Should You Spend Money On Publicity & Marketing? by Randy Susan Meyers for Beyond the Margins
TELEVISION and PODCASTS
For those of you who don’t have cable, Lena Dunham’s show Girls is now available on DVD. While you’re at it, co-producer Judd Apatow’s show Freaks and Geeks (1999) is streaming on Netflix. And for his latest film, ‘This is 40,’ Apatow has been doing some interviews: The Nerdist with Chris Hardwick and Bullseye with Jesse Thorn.
Now that everyone’s caught up on Mad Men Season 5, you can listen to The Nerdist Writer’s Panel’s “Mad Men season five in review” episode with Creator and showrunner Matthew Weiner, showrunners Andre and Maria Jacquemetton, and writer Erin Levy.
Alec Baldwin spoke with Lapham’s Quarterly founder, Lewis Lapham, for his show, Here’s the Thing. Lapham has an excellent gravelly voice that makes his stories and wisdom even better, if that were possible. You can also read an interview Lewis recently conducted with Smithsonian Magazine that I meant to share last week.
To the Best of Our Knowledge spoke with autistic savant Daniel Tammet and it was mesmerizing. Daniel is one of the few people with autism who can express his thought process and explain what he experiences. To hear him tell the interviewer how he thinks was astounding.