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Posts Tagged ‘entertainment

Week in the World: New music, new love, British TV, and more

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Here’s a roundup of what’s been occupying my time these past few weeks.

St. Vincent’s new album, eponymously named St. Vincent, is out this week. If you haven’t heard her music yet, think Bjork and Tori Amos and you’re pretty close. Studio 360 spoke with her and The Guardian is streaming the new album.

New York magazine spoke with television producer Lorne Michaels about Saturday Night Live, the comedians he’s launched, and the various shows that have come out of his legendary late night program.

NY Mag: Have you ever felt restricted by the standards of broadcast TV?
LM: No. I believe that there’s no creativity without boundaries. If you write a sonnet, it’s got to be fourteen lines. If you write one that’s nine lines, it’s not a sonnet. So we have to be clever. We’re in a medium that goes into people’s homes, and, very often now, people watch our show with their kids.

Marc Maron is now dating Moon Zappa, and appears to be very happy. He tells the story of how they got together in the monologue of this episode. It’s a great reason to go back and listen to his interview with Moon from October 2013.

Speaking of podcasts, I can’t believe it took me until the 123rd episode to start listening to Throwing Shade, an irreverent comedy show hosted by Erin Gibson and Bryan Safi. Together they take on the pop culture topics of the day with blatant disregard for political correctness. They are hilariously brilliant — and brilliantly hilarious. If you want to break out of the winter doldrums, put this on your iPod.

If you’ve finished watching House of Cards and are waiting for the second season of Orange is the New Black to start this summer, you should consider watching Shameless, a British TV show about a family (and their surrounding neighbors) who live in a public housing community. There are no connecting themes to either of the Netflix shows, except that all seasons are streaming and it’s awesome. The first season features James McAvoy if you need some incentive.

I just plowed through Will Self’s 2006 collection of essays, Junk Mail. Spanning much of the 90s, these nonfiction works are taken from places such as the Evening Standard, the Observer, the Independent, Esquire, GQ and the like. The opening piece, “New Crack City,” describes a crack den Self once knew and the second, “On Junky,” is an introduction to William S. Burroughs’ popular work of semi-autobiographical fiction. But it’s not all drugs in this one. Self also writes about his stay at a hotel made of ice, there’s a profile of Bret Easton Ellis, a thought piece on Morrissey, and interviews with artist Damien Hirst and author J.G. Ballard.

The other week, The New York Review of Books ran the short story To Kill a Child by Swedish writer Stig Dagerman. It’s eery and compelling and might just bring back those winter blues so have Throwing Shade handy after reading.

Written by Gabrielle

February 25, 2014 at 6:53 am

Favorite Podcasts of 2013

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headphonesMy good buddy David over at Largehearted Boy every year rounds up year-end lists featuring books and music. On his suggestion, here’s my list of the podcasts I couldn’t stop listening to.

By the Way with Jeff Garlin
Possibly the best find of the year has been By the Way, Jeff Garlin’s new podcast. Recorded live at Largo in Los Angeles, Garlin sits down with his talented friends to discuss all sorts of things. Garlin’s laugh alone makes this one infectious but the conversations will keep you coming back. If you’ve not been listening to it, your 2013 has been a wash.

Longform Podcast
Longform journalism has been making some noise lately and, along with Longreads, the site Longform has done much to propel it into the public consciousness. What might not be as known is that they have a weekly podcast where they interview journalists about their work. The conversations range from particular stories the writer has worked on to how they make ends meet between jobs. I look forward to it every week.

Other People
Just over the 200 episode mark and still going strong, Other People, hosted by Brad Listi, is one of the best author interview podcasts out there. Not content with a simple conversation about the writer’s latest book, Brad delves into childhood memories, the writing process, and anything unique to his guest’s experience that they’re willing to discuss.

Book Riot
Literary website Book Riot started a podcast this year and it quickly became one of my favorites. Every weekend I look forward to the bookish banter of co-founder Jeff O’Neal and Senior Editor Rebecca Schinsky. Together they parse out the week’s publishing and literary news, discuss the latest book gadgets, and go over the week’s new releases. Always fresh. A must-listen.

Late Night Library
If you’re reading this site, there’s a good chance you can never hear enough about publishing. Late Night Library is an organization based in Portland dedicated to promoting book culture, especially the indie sort. On their podcast Late Night Conversation, along with writers they interview industry people about their various positions and how it works within the chain of events, manuscript to bookstore.

Pop Culture Happy Hour
Hosted by NPR editors, producers, and critics, Pop Culture Happy Hour is a casual conversation about the week’s pop culture news. The chemistry of the co-hosts, their familiarity with each other, is most-endearing. Perfect way to kick off the weekend.

Design Matters
I became aware of Debbie Millman after Maria Popova highlighted her book, Brand Thinking, a collection of interviews with design and advertising creatives. A look into these minds was fascinating, in large part due to Millman’s knowledge of the industry and her subjects. On Design Matters, a podcast hosted by Design Observer, Millman brings her impeccable research and optimism to the conversation.

Slate
I don’t think it’s a stretch to say that Slate has perfected the podcast. Duration, format, everything. They’ve nailed it. While there are four main shows — the Political Gabfest, the Culture Gabfest, the Double X, and for all you sports fans, Hang Up and Listen, hosted by Stefan Fatsis, Josh Levin, and Mike Pesca — they continue to explore themed series. There’s Lexicon Valley, which discusses language, the monthly Audio Book Club, and, most recently, Mom and Dad are Fighting, a frank and honest look at parenting.

Gweek
The popular site Boing Boing has a number of podcasts on their roster. One of my favorites is Gweek, a show where editor Mark Frauenfelder and friends bring authors, artists, and other creative types on to discuss their work. Some recent shows include interviews with Clive Thompson for his book on the Internet, book designer Chip Kidd, and Wired magazine founding editor Kevin Kelly.

Six Pixels of Separation
If you’re the least bit interested in where business and creativity meet, Mitch Joel’s interviews are a goldmine.

Also recommended:
Stuff You Should Know
Recommended if You Like
Next Market (a podcast about podcasting)

Written by Gabrielle

December 24, 2013 at 7:11 am

Charlie Chaplin in New York

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Born in London in 1889, legendary comic actor Charlie Chaplin grew up poor. He was the son of a singer who often found herself out of work due to poor health. Together with his older brother, Sydney, he found ways to make ends meet by following in the family’s entertaining footsteps. The two Chaplins were successful both on stage and on screen, each signing million dollar contracts at some point in their career.

Charlie Chaplin’s autobiography, simply titled My Autobiography, recently published as part of Melville House’s Neversink Library series, is a fascinating life story. Not only is it a portrait of the film industry from the early 1920s to the 60s, it’s a look at how a mixture of luck, talent, and business savvy created one of the era’s top performers.

Around 1910, Chaplin landed in New York for the first time. Here is his first impression:

At ten o’clock on a Sunday morning we at last arrived in New York. When we got off the street-car at Times Square, it was somewhat of a let-down. Newspapers were blowing about the road and pavement, and Broadway looked seedy, like a slovenly woman just out of bed. …

However, this was New York, adventurous, bewildering, a little frightening. Paris, on the other hand, had been friendlier. Even though I could not speak the language, Paris had welcomed me on every street corner with its bistros and outside cafes. But New York was essentially a place of big business. The tall skyscrapers seemd ruthlessly arrogant and to care little for the convenience of ordinary people; even the saloon bars had no place for the customers to sit, only a long brass rail to rest a foot on, and the popular eating places, though clean and done in white marble, looked cold and clinical.

I took a back room in one of the brownstone houses off Forty-third Street, where the Times building now stands. It was dismal and dirty and made me homesick for London and our little flat. In the basement was a cleaning and pressing establishment and during the week the fetid odour of clothes being pressed and steam wafted up and added to my discomfort.

That first day I felt quite inadequate. It was an ordeal to go into a restaurant and order something because of my English accent — and the fact that I spoke slowly. So many spoke in a rapid, clipped way that I felt uncomfortable for fear I might stutter and waste their time.

I was alien to the slick tempo. In New York even the owner of the smallest enterprise acts with alacrity. The shoe-black flips his polishing rag with alacrity, the bartender serves beer with alacrity, sliding it up to you along the polished surface of the bar. The soda clerk, when serving egg malted milk, performs like a hopped-up juggler. In a fury of speed he snatches up a glass, attacking everything he puts into it, vanilla flavour, blob of ice cream, two spoonfuls of malt, a raw egg which he deposits with one crack, then adding milk, all of which he shakes in a container and delivers in less than a minute.

On the Avenue that first day many looked as I felt, lone and isolated; others swaggered along as though they owned the place. The behaviour of many people seemed dour and metallic as if to be agreeable or polite would prove a weakness. But in the evening as I walked along Broadway with the crowd dressed in their summer clothes, I became reassured. We had left England in the middle of a bitter cold September and arrived in New York in an Indian summer with a temperature of eighty degrees; and as I walked along Broadway it began to light up with myriads of coloured electric bulbs and sparkled like a brilliant jewel. And in the warm night my attitude changed and the meaning of America came to me: the tall skyscrapers, the brilliant, gay lights, the thrilling display of advertisements stirred me with hope and a sense of adventure. ‘That is it!’ I said to myself. ‘This is where I belong!’

Written by Gabrielle

November 20, 2013 at 7:20 am

Podcast Roundup: Comedians

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Today, it seems like everyone has a favorite comedian; it’s almost hard not to. With great work being done for the big screen all the way down to mobile devices, smart, funny entertainment is more accessible now than during any other time in history. Here are just a few podcasts that give you a behind the scenes look at a life in comedy.

New Yorker: Emily Nussbaum, Jelani Cobb, and Sasha Weiss discuss “Key & Peele”
New Yorker television critic Emily Nussbaum and frequent contributor Jelani Cobb discuss the way the Comedy Central show “Key & Peele” addresses race.
Extra credit: read Emily’s review of the show.

By the Way, In Conversation with Jeff Garlin: Conan O’Brien
RIYLIt’s hard to go wrong with an episode of Jeff Garlin’s “By The Way,” his not-so-new-anymore podcast on Earwolf. As it turns out, Jeff and Conan O’Brien were roommates during their Chicago days, which makes this episode particularly entertaining.
Extra credit: watch the special Conan put together during the year he was exiled from late night TV, “Conan O’Brien Can’t Stop.”

Recommended If You Like: Marc Maron
This past spring comedian and podcast host Marc Maron launched his latest book, Attempting Normal, with a bunch of interviews. It was interesting to hear him on the other side of the mic. In this show he talks in-depth about his career in comedy.
Extra credit: watch Marc Maron’s latest stand-up special, “Thinky Pain.”

WTF with Marc Maron: Baratunde Thurston
Marc Maron, back on his side of the table, speaks with Baratunde Thurston, comedian and author of How to Be Black. The two guys talk about their childhoods, their views on social media, and, of course, race.

Girl on Guy: Chris Rock
Host Aisha Tyler talks to Chris about his childhood, how he learned comedy, and sketch vs. stand-up.

Nerdist

Nerdist: Jim Rash and Nat Faxon
Jim Rash, known to “Community” fans as Dean Pelton, joins fellow actor/comedian Nat Faxon to talk about improv and teaching comedy at the LA-based comedy group The Groundlings.

Nerdist: Aziz Ansari
Having just released a new stand-up special, Aziz Ansari talks to Chris Hardwick about how he tested out the show’s material, where he is in his career right now, and the importance of change.
Extra credit: watch Aziz’s latest stand-up special, “Buried Alive,” now streaming on Netflix.

Comedy Bang Bang: Amy Poehler
What can only be described as mental jujitsu, Amy Poehler unleashes her improvisational skills for an hour and a half.

Written by Gabrielle

November 12, 2013 at 9:06 am

Link roundup for the week of September 16

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Carnival BarkerHere’s this week’s roundup of publishing and tech news. Link to your favorite stories in the comments section.

E-books and Readers

  • Trade e-book sales growth continues to slow through first half of 2013. DBW
  • Digital publishing in the developing world differs from that in the US. Publishing Perspectives
  • The future of art e-books. The Guardian

Apps and Tech

  • Laura Miller beta tests Oyster, the forthcoming iOS e-book rental app. Salon
  • So does Ian Crouch. Page-Turner
  • Nearly two-thirds (63%) of cell phone owners now use their phone to go online. Poynter
  • TV producers are experimenting with second-screen viewing opportunities. DBW

Social Media

Media and Publishing

  • Next year Americans will be allowed to enter the Man Booker prize. Telegraph
  • Netflix looks to pirating sites to see what shows to buy. Telegraph
  • Nick Bilton on online piracy. Bits
  • A House judiciary subcommittee hearing on intellectual property and piracy is set for Wednesday. AdWeek
  • The New Yorker, redesigned. New York Times

Writing and Grammar

  • Is it possible to “transcend genre?” a debate. io9
  • 25 things you should know about worldbuilding. Chuck Wendig
  • Grammar Pop: a word game app. Grammar Girl

Lifehack and Business

  • Wharton puts first-year MBA courses online for free. Businessweek
  • Retailers say Gmail’s new filtering system harms e-mail marketing efforts. New York Times
  • Tim Harford on mastering the technology around you. Financial Times
  • The upside of a messy office. Well

Podcasts

  • Mitch Joel and Michael Hyatt talk about the importance of building a platform. Twist Image
  • The Slate Culture Gabfest answers listener’s questions, one on media consumption. Slate
  • Good e-Reader has a radio show. Good e-Reader

Misc.

  • Clive Thompson talks about the benefits of tech; Joshua Glenn talks about reviving old scifi novels. Gweek
  • Ray Dolby, inventor of the Dolby noise-reduction system and Dolby digital surround sound died. New York Times
  • So did Hiroshi Yamauchi, President of Nintendo since 1949. Wired
  • Brooklyn Book Festival party at Greenlight tonight. Greenlight

Written by Gabrielle

September 20, 2013 at 6:57 am

Link roundup for the week of September 9

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gossipLots of interesting publishing news and opinions this week. Share your favorite articles in the comments section.

E-books and Readers

  • 71% of travelers prefer to fly with printed books. Good E-Reader
  • Tablet sales will outpace PC sales for the first time in the final quarter of this year. Traditional PC companies are without a viable strategy. The Guardian
  • If you have an Android you can customize the font on your e-reading app. TeleRead
  • An all-digital library opened in Texas. Good E-Reader

Apps and Tech

  • Apple’s App Store is not affected by the Justice Department ruling on price-fixing. Businessweek
  • Oyster, Apple’s iPhone App, will offer all-you-can-read e-books for $9.99/mo. ZDNet
  • On Monday, the F.C.C. and Verizon went to court over Net Neutrality. The New York Times
  • Timeline of Net Neutrality. Public Knowledge
  • The Readmill app allows e-book owners to share marginalia. Damien Walter wonders about future copyright issues. The Guardian
  • Twitter to sell ads on mobile app. Bits

Social Media

  • Facebook’s new Page Insights will allow businesses to track social media engagement. Poynter
  • Social analytics platform Topsy has archived every tweet in existence. Here are 10 ways to use it as a publicity tool. PR Newser
  • Rachel Fershleiser is leading Tumblr’s new book club. GalleyCat
  • Successful real-time marketing campaigns. AdWeek
  • How publishers can get the most out of Facebook marketing. Publishing Perspectives
  • The perfect social media post for multiple platforms [infographic]. All Twitter

Media and Publishing

  • What publishers can learn from the music industry about subscription models. Music Industry Blog
  • NewsHour Weekend reviewed. CJR
  • Sponsored content is on the rise. Digiday
  • Percentage of time given to reporting vs. opinion at CNN, Fox News, and MSNBC. Poynter

Writing and Grammar

Lifehack and Business

  • Is there really such a thing as a ‘workaholic’?  The Atlantic
  • Five tips for better public speaking. 99u
  • A short tutorial on “Bullet Journal,” a new system for to-do lists. Co. Design

Podcasts

  • Cal Morgan spoke about publishing with Brad Listi. Other People
  • Alec Baldwin is getting his own show on MSNBC. Listen to his podcast Here’s the Thing. WNYC
  • What marketers need to know about Google+ Hangouts. Social Media Examiner
  • Mind and Machine, Part I. CBC Radio Ideas

Misc.

  • Emily Nussbaum on Pivot, a new TV channel for the Internet generation. New Yorker
  • “The purpose of multitasking had gone from supporting multiple users on one computer to supporting multiple desires within one person at the same time.” Elements
  • Michael Jackson’s “Thriller” video recreated with LEGOs. DesignTaxi

Written by Gabrielle

September 13, 2013 at 6:52 am

A History of Hip-Hop in Six Easy Listens

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This post originally ran on Longreads, where I now contribute a monthly podcast roundup.

Radio RaheemHip hop began in the 1970s as an underground movement; today it’s everywhere. From house parties in the suburbs to national television advertising campaigns it’s recognizable, celebrated, and imitated. Snoop Dogg made headlines when he changed his name to Snoop Lion and Jay Z and Beyonce were given the same treatment as the British Monarchy when they had their first child.

Since its start on the street of New York, hip hop has grown into a multi-billion dollar industry. The cash flow now includes not only music but art shows featuring graffiti as well as successful clothing lines.

2Pac vs. Biggie

1. Stuff You Should Know: How Hip-Hop Works (52:13)

In this episode of Stuff You Should Know, hosts Chuck and Josh discuss the history of hip-hop, from The Sugar Hill Gang to the present. They add their own personal history, which includes stories of attempted breakdancing and well-intentioned clothing choices. You can read more about it on their site.

2. Los Angeles Review of Books: 2pac and Biggie (1 hr.)

Co-authors Jeff Weiss and Evan McGarvey speak with host Colin Marshall about their book 2pac vs. Biggie: An Illustrated History of Rap’s Greatest Battle. They talk about the artists’ rivalry, their beginnings, how their styles differed, and why you’re missing out if you only listen to one and not the other.

3. NPR Fresh Air: Questlove (45:14)

Questlove

The drummer for The Roots talks about his influences growing up, how he listens to music, and his favorite part of Soul Train. (Bonus: Also check out Terry Gross’s classic 2010 interview with Jay-Z.)

4. Bullseye (formerly Sound of Young America): Dan Charnas, author of The Big Payback (44:00)

Dan Charnas, a veteran hip-hop journalist and one of the first writers for The Source, talks with Jesse Thorn about the history of the hip-hop music business and how executives and entrepreneurs turned an underground scene into the world’s predominant pop culture.

5. WBUR On Point: Fame and Fortune of Jay-Z (48:00)

Jay Z

Andrew Rice, contributing editor for New York magazine, spoke about his article on Jay-Z’s business acumen with James Braxton Peterson, director of Africana Studies, professor of English at Lehigh University, and founder of Hip Hop Scholars. Together they delve into the financial side of Jay-Z’s career.

6. KCRW The Treatment: Michael Rapaport, “Beats, Rhymes & Life” (28:29)

If you were around in the ’90s, you might recognize Michael Rapaport from movies like Zebrahead, Poetic Justice, and Higher Learning. In 2011, he came out with a documentary on A Tribe Called Quest. He talks to The Treatment’s Elvis Mitchell about his love of hip-hop, his childhood in New York City, and his experience filming his favorite artists.

Written by Gabrielle

August 27, 2013 at 6:47 am

Week in the World: Podcasts Galore

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It’s been a big month in podcast world. Here are a few that have been especially amazing.

headphones

Judd Apatow sat down at Largo for Jeff Garlin’s incredible live show By the Way, in Conversation with Jeff Garlin. On WNYC, David Simon spoke with Alec Baldwin on his show Here’s the Thing. Aisha Tyler had a cold the other week and aired what was previously a premium episode, an interview with Henry Rollins.

Marc Maron’s doing the media rounds for his new book, Attempting Normal, and his show on IFC, Maron, and was just on the Nerdist to talk about both–among other things. In a more recent episode of The Nerdist, Billy Crystal was on the show to talk about his new movie Monsters University and also got around to discussing a few stories from his time in comedy. NPR’s comic critic Glen Weldon, who just wrote an unauthorized biography of Superman, was on the Nerdist Comics Panel to talk about the history of the superhero.

david simonHouse DJ and producer Felix da Housecat dropped by KCRW to discuss the origins of house music and how he became a DJ on Metropolis. The most recent episode of the show features an interview with the two brothers who make up Disclosure, an excellent British electronic act with a new album, which I can’t recommend enough.

Meanwhile, on the Los Angeles Review of Books’ podcast, host Colin Marshall talks with co-authors Jeff Weiss and Evan McGarvey about their book 2pac vs. Biggie: An Illustrated History of Rap’s Greatest Battle, a must-listen for hip hop fans. Also not to be missed, WBEZ’s Sound Opinions explored Johnny Cash’s legendary live album, Live from Folsom Prison.

henry rollins

Late Night Library, an excellent podcast that interviews publishing industry professionals, spoke with fellow podcaster Ed Champion and, before that, literary agent Laura Liss. Speaking of Ed Champion, he sat down with Claire Messud for her latest novel, The Woman Upstairs.

One of my new favorite podcasts hosted by Joyland Magazine spoke with the incredible writer and critic Roxane Gay. And on a long-time staple, Other People, Brad Listi spoke with Maggie Nelson, author of Bluets, a book I loved.

Lexicon Valley, Slate’s language show, is back after a brief hiatus and the first episode is on the odd phrase, “Yeah, no …”. I’ve been warning everyone, after you listen to it, you’re going to hear everyone saying it. And finally, great news, Book Riot’s Rebecca Schinsky and Jeff O’Neal are now co-hosting a bookish podcast that is more than worth a listen. For talk on new releases and book news, subscribe to this one today.

What are you listening to?

[Illustration via]

Written by Gabrielle

June 25, 2013 at 6:54 am

What to Listen to: Jeff Garlin and Friends

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By the WayThe mark of a great comedy podcast is having to give this caveat: if you aren’t comfortable laughing to yourself in public, best to listen to this one at home alone. Every one of the now seven episodes of By the Way, In Conversation with Jeff Garlin has made me laugh out loud, often with an uncontrollable sputter. Not only that, I grin nearly the whole way through, which, I might add, makes me appear friendly during rush hour, a threat to my tough New Yorker exterior.

Actor, comedian, producer Jeff Garlin, known best to me for his role as Larry David’s manager and friend in Curb Your Enthusiasm, hosts a conversation with fellow talented entertainment industry creatives in front of a live audience at Largo in Los Angeles.

The run time is about an hour and a half, with J.J. Abrams clocking in at an hour and fifty, but however long the show, it never gets tedious. Garlin is one of the rare hosts who can keep you engaged and entertained long past the standard 45 minutes.

Jeff Garlin and Lena Dunham

Whether Garlin has had the good fortune of sitting down with people who enjoy his company, or if he’s just that good at putting people at ease, every conversation has been comfortable and paved the way for mutual openness. In the first episode, Garlin draws out Larry David’s quirks, of which there are many—one being his dislike of listening to music for its own sake. In episode two, he and Lena Dunham discuss the hell that is awards shows—unless, as was the case with Dunham, you have your quick-witted mom in tow. Parenting, and family life in general, is a common topic: both J.J. Abrams and Will Ferrell like to make their kids breakfast and see them off to school. Farrell volunteers at his son’s soccer games and J.J. makes up stories at bedtime.

Even if Garlin didn’t have great timing and a knack for getting stories out of his guests, his laugh, boisterous and infectious, would be enough to get your smile going. The only downside of By the Way is its lack of an archive, having just begun in January of this year. However, if you get in on it now, you’ll be one of the lucky ones with bragging rights, able to say you were listening to it back when, because, with a bit of luck and more excellent guests, this show will be around for a very long time.

::[Links]::
By the Way, In Conversation with Jeff Garlin

Written by Gabrielle

April 9, 2013 at 6:49 am

Week in the World: Lindsay Lohan Takes the Cake Edition

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Lindsay Lohan.Jeff Minton for The New York TimesThis roundup’s strongest piece of journalism goes to Stephen Rodrick, contributing writer at the New York Times Magazine and contributing editor at Men’s Journal, for his piece Times, “Here is What Happens When You Cast Lindsay Lohan in Your Movie.”

Rodrick was given full access to the filming of Lindsay Lohan’s forthcoming low budget, Kickstarter-funded film, “The Canyons,” directed by Paul Schrader and written by Bret Easton Ellis. It reads as a fair piece, which, with Lohan as a subject, is a feat all on its own. What makes it so incredible, however, is that the writing is fantastic. It truly is a lesson in feature writing, to be printed, studied, and saved.

A bit of background:

Schrader wrote “Raging Bull” and “Taxi Driver” and has directed 17 films. Still, some fear Lohan will end him. There have been house arrests, car crashes and ingested white powders. His own daughter begs him not to use her. A casting-director friend stops their conversation whenever he mentions her name. And then there’s the film’s explicit subject matter. Full nudity and lots of sex. Definitely NC-17. His wife, the actress Mary Beth Hurt, didn’t even finish the script, dismissing it as pornography after 50 pages.

Dunham and Apatow.credit Art Streiber

Noir-like description of Lohan:

“She was quite pale, her skin not on speaking terms with daylight.”

This article had been so popular with #longreads fans that they begged for an interview with Rodrick on their Longform Podcast. Rodrick discusses how the assignment came about, the access he had, and how writing stories for The New York Times works.

Another great interview in Longform’s growing archive is with Charles Duhugg, New York Times reporter and author of The Power of Habit. Here he talks about journalism, best practices for writing (and life), and (again) how The New York Times works.

On his approach to interviewing for a job, which can be applied to many other things:

You want to be surprising. People love surprises. That is how we stay interested.

Marley

On using edited material for “bonus features”:

The stuff that gets cut out gets cut out for a reason. The discipline of space is always a good discipline. If it deserves to be read, it shouldn’t be on the cutting room floor… If it ends up on the cutting room floor, there’s usually a reason why.

Parul Sehgal, Editor at the New York Times Book Review, former Books Editor at NPR, explores three essay collections in an essay of her own.

Invented in France by Michel de Montaigne, the 16th century’s great oversharer; perfected in England by Samuel Johnson and William Hazlitt; the essay found America very agreeable: “The United States itself — and even its name, according to some sources — is partly the outcome of the essayistic brilliance of the radical English artisan Thomas Paine,” Christopher Hitchens, one of its finest modern practitioners, wrote.

The Millions ran an argument in favor of reading fewer books in 2013:

This past year I read 56 books. That’s slightly off the pace of 60 books a year that I’ve set over the previous 12 years, but then I did read a lot of very long history books this year — yes, I’m looking at you, Robert Caro – and my wife and I did make a very time-consuming move to Canada late in the year. Or at least that’s what I’m telling myself. Maybe the real answer is that I’m just getting tired of trying to read so damn many books.

Seth Green

Podcast host extraordinaire Colin Marshall sat down with Los Angeles Review of Books founder and editor-in-chief, Tom Lutz. They talk about the LA literary scene, book reviewing, and what it’s been like running the Review. You can catch Colin Marshall regularly as host of Notebook on Cities and Culture, “a twice-weekly long-form conversation with cultural creators, internationalists, and observers of the urban scene around Los Angeles, San Francisco, Portland, Osaka, Kyoto, and beyond.”

Lena Dunham and Judd Apatow had this totally adorable–and insightful–conversation via Skype (transcribed for print) about how they collaborate. It sounds like a very healthy relationship.

Apatow: You know, the show is run differently from other shows because we’re trying to really filter everything through you. My goal is to have you do as much work as possible without getting killed. So part of what I’m trying to do is pace you so you don’t collapse. For me, a lot of the work is just having a very fresh brain and set of eyes to read things and look for where there are holes or trouble and then trying to help fix that.

Dunham: I feel like you’re constantly monitoring my brainpower and body power, even when I’m not able to tell what I’m feeling.

And Lena Dunham was on Here’s the Thing with Alec Baldwin. Incredible conversation.

The Bob Marley documentary “Marley,” now streaming on Netflix, is beyond amazing. I hope to have a proper writeup in the near future but, in the meantime, watch it. Seriously.

always, Susan Morris has some great advice for writers. Here she has 10 exercises to help hone your craft and Seth Green’s interview with Marc Maron was a good one.

Written by Gabrielle

January 22, 2013 at 6:51 am

New to Noir: The Maltese Falcon by Dashiell Hammett

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The Maltese FalconNoir, also known as hardboiled, is the gritty, world-weary subcategory of crime fiction, recognizable by its unsentimental protagonist, the rogue private detective; an early and gruesome murder; and a pretty girl who is most likely not telling the truth. The dialogue is often hyperbolic and the characters cartoonish, but that’s what makes the genre so good–and why so many of its forebears are still celebrated and imitated today.

Dashiell Hammett is one such writer. Even those who don’t read detective fiction know his name and still more know of his influential work, The Maltese Falcon.

The Maltese Falcon, to summarize, is the multi-layered detective story that begins with a woman, Miss Wonderly from New York, visiting Private Detective Samuel Spade’s office in San Francisco. She’s come to find her sister who has allegedly run away with a man she assumes to be dangerous and hires Spade to find him.

Spade assigns the case to his naive partner, Miles Archer, only to receive a phone call about his murder a few hours later: “Hello. … Yes, speaking. … Dead? … Yes … Fifteen minutes. Thanks” is all we hear.

Although set in California readers see very little sun. The mood is dark, gloomy, almost claustrophobic.

Cold steamy air blew in through two open windows, bringing with it half a dozen times a minute the Alcatraz foghorn’s dull moaning. A tinny alarm-clock, insecurely mounted on a corner of Duke’s Celebrated Criminal Cases of America–face down on the table–held its hands at five minutes past two.

The Maltese FalconIt’s this vivid imagery that stands out while reading Hammett. In fact, the more I read noir, the more I realize there is a manner in which people and events are described that is unique to the genre.

Hammett’s Sam Spade is an archetype, the ideal noir detective: he’s not swayed by emotion or a woman’s looks; he operates outside of the law, but only to bring about truth and justice; and most important, possibly the crux of his appeal, is that if he’s not already one step ahead of his enemies, he eventually gets there.

Hammett opens with this image of Spade:

Samuel Spade’s jaw was long and bony, his chin a jutting v under the more flexible v of his mouth. His nostrils curved back to make another, smaller, v. His yellow-grey eyes were horizontal. The v motif was picked up again by thickish brows rising outward from twin creases above a hooked nose, and his pale brown hair grew down—from high flat temples—in a point on his forehead. He looked rather pleasantly like a blond satan.

Another core character, as alluded to above, is the femme fatale, French for “deadly woman.” In contemporary noir, I’ve found the descriptions of these women tailored to fit today’s more enlightened view of the sexes but in Hammett’s time there were no such conventions. Here is the description of Miss Wonderly, the first glimpse of what she looks like:

She was tall and pliantly slender, without angularity anywhere. Her body was erect and high-breasted, her legs long, her hands and feet narrow. She wore two shades of blue that had been selected because of her eyes. The hair curling from under her blue hat was darkly red, her full lips more brightly red. White teeth glistened in the crescent her timid smile made.

The Maltese FalconIt’s not just the lengthy paragraphs of description that grab you, there are many one-liners as well: “Her boyish face was pale under its sunburn” and “His eyes burned yellowly” for example. Then there are the snappy retorts begging to be committed to memory: “I distrust a man that says when. If he’s got to be careful not to drink too much it’s because he’s not to be trusted when he does.” Or, the less useful but equally compelling, “I hope to Christ they don’t hang you, precious, by that sweet neck.”

Hammett wrote detective fiction with an advantage. He had real life experience. Before picking up the pen he’d spent years as a detective for the Pinkerton National Detective Agency, a private organization that also employed security guards and military contractors. Hammett knew how investigations worked, what stakeouts were like, and how the different players might react. This realism adds to the story’s brutishness.

Fellow classic noir author Raymond Chandler once credited Hammett with making “the detective story fun to write, not an exhausting concatenation of insignificant clues.” The same can be said for the reading experience he inspires. However, The Maltese Falcon is more than a fast-paced, gritty crime novel, it’s also a lesson in seeing.

::[Links]::
Buy The Maltese Falcon at your local bookstore

Written by Gabrielle

January 8, 2013 at 6:55 am

New in Paperback for January

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Welcome to 2013. To kick off the new year, here are a few paperbacks coming out in January that have caught my eye. As always, feel free to add your picks in the comments.

Heroin Chronicles

The Heroin Chronicles edited by Jerry Stahl
The latest entry in the Akashic Drug Chronicles Series, featuring brand-new stories by: Eric Bogosian, Lydia Lunch, Jerry Stahl, Nathan Larson, Ava Stander, Antonia Crane, Gary Phillips, Jervey Tervalon, John Albert, Michael Albo, Sophia Langdon, Tony O’Neill, and L.Z. Hansen.

Me and Mr. Booker

Me and Mr. Booker by Cory Taylor
Looking back, Martha could’ve said no when Mr. Booker first tried to kiss her. That would’ve been the sensible thing to do. But Martha is sixteen, she lives in a small dull town — a cemetery with lights — her father is mad, her home is stifling, and she’s waiting for the rest of her life to begin. Of course Martha would kiss the charming Englishman who brightened her world with style, adventure, whiskey, cigarettes and sex. But Martha didn’t count on the consequences. Me and Mr. Booker is a story about feeling old when you’re young and acting young when you’re not.

Throne of the Crescent Moon by Saladin Ahmed
Throne of the Crescent MoonThe Crescent Moon Kingdoms, home to djenn and ghuls, holy warriors and heretics, are at the boiling point of a power struggle between the iron- fisted Khalif and the mysterious master thief known as the Falcon Prince. In the midst of this brewing rebellion a series of brutal supernatural murders strikes at the heart of the Kingdoms. It is up to a handful of heroes to learn the truth behind these killings.

Doctor Adoulla Makhslood, “the last real ghul hunter in the great city of Dhamsawaat,” just wants a quiet cup of tea. Three score and more years old, he has grown weary of hunting monsters and saving lives, and is more than ready to retire from his dangerous and demanding vocation. But when an old flame’s family is murdered, Adoulla is drawn back to the hunter’s path.

Encyclopedia of a Life in Russia

Encyclopedia of a Life in Russia by Jose Manuel Prieto
Thelonius Monk (not his real name) travels to Russia and meets Linda Evangelista (not her real name) in Saint Petersburg. They journey to Yalta, where he promises that he will make her red hair famous in the fashion magazines. In fact, he’s drafting a novel about her—his notes for the novel comprise this Encyclopedia. Thelonious and Linda think of themselves as avatars of consumer culture, navigating the border between art and commerce during the Soviet Union’s collapse in 1991. Unwittingly they parody Russian fascination with America and its fixation on beauty and celebrity. Their conversations combine advertisement copy and art criticism, their personalities are both bohemian and commercial, and their aspirations revolve around frivolity and enchantment.

Encyclopedia of a Life in Russia is a novel that defies chronology and conformity, and finds the sublime in the trivial, ranging from meditations on Bach and Dostoyevsky to Italian alligator shoes and toothpaste.

My Autobiography

My Autobiography by Charlie Chaplin
Chaplin’s heartfelt and hilarious autobiography tells the story of his childhood, the challenge of identifying and perfecting his talent, his subsequent film career and worldwide celebrity.

In this, one of the very first celebrity memoirs, Chaplin displays all the charms, peculiarities and deeply-held beliefs that made him such an endearing and lasting character.

Re-issued as part of Melville House’s Neversink Library, My Autobiography offers dedicated Chaplin fans and casual admirers alike an astonishing glimpse into the the heart and the mind of Hollywood’s original genius maverick.

Castle Waiting

Castle Waiting, a graphic fable by Linda Medley
Castle Waiting is the story of an isolated, abandoned castle, and the eccentric inhabitants who bring it back to life. A fable for modern times, it is a fairy tale that’s not about rescuing the princess, saving the kingdom, or fighting the ultimate war between Good and Evil — but about being a hero in your own home. The opening chapter tells the origin of the castle itself, which is abandoned by its princess in a comic twist on “Sleeping Beauty” when she rides off into the sunset with her Prince Charming. The castle becomes a refuge for misfits, outcasts, and others seeking sanctuary, playing host to a lively and colorful cast of characters that inhabits the subsequent stories, including a talking anthropomorphic horse, a mysteriously pregnant Lady on the run, and a bearded nun.

Testing the Current

Testing the Current by William Mcpherson
Growing up in a small upper Midwestern town in the late 1930s, young Tommy MacAllister is scarcely aware of the Depression, much less the rumblings of war in Europe. For his parents and their set, life seems to revolve around dinners and dancing at the country club, tennis dates and rounds of golf, holiday parties, summers on the Island, and sparkling occasions full of people and drinks and food and laughter. But curious as he is and impatient to grow up, Tommy will soon come to glimpse the darkness that lies beneath so much genteel complacency: hidden histories and embarrassing poor relations; the subtle (and not so subtle) slighting of the “help”; the mockery of President Roosevelt; and “the commandment they talked least about in Sunday school,” adultery.

Written by Gabrielle

January 2, 2013 at 6:53 am

New Reading: Frequencies, Volume 1

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FrequenciesThe first issue of Frequencies, a new biannual journal of essays published by indie press Two Dollar Radio, is, in its physical form, the melding of professional digital publishing and the DIY aesthetic of the 90s.

The cover image is an illustration of a man: scowling, working-class, probably in his 40s, eyes squinting, 5 o’clock shadow, pursed lips, and a hat that says “Fix It!” with a picture of a wrench on it. At first, he’s easily mistakable for a (so-called) hipster, one that resides in Brooklyn and works at a local bike shop or cafe. On closer examination, however, the wall of television sets behind him creates air of authenticity–a menacing one at that.

For the interior, artist in-residence, John Gagliano, uses a handwritten font for the essays’ title pages but traditional type for the essays themselves. There are old-timey advertisements for a fictional store throughout and full page illustrations to go with each story.

The debut issue includes familiar names: writer and critic Joshua Cohen looks at the etymology of “Open Sesame;” bookseller and Two Dollar Radio editor Emily Pullen interviews poet Anne Carson; and author Scott McClanahan writes about his large, and slightly off-kilter, family from West Virginia.

“Seven Interruptions of the Image” begins with seven photographs: Wild Ruins; Wardrobe; Untitled Photo; My Parent’s [sic] House; Yellow Dress; All My Bags Are Packed; and Blossoms. They are beautiful, haunting images, some unrecognizable, others just odd—all invitingly sad. Their aged quality—smoky pastels, prevalence of shadows, and dubious chemical burns—makes them look as if they were taken by a practiced photographer or someone with an iPhone.

Following the photos, coinciding with their titles, are seven short essays written by Blake Butler. Within the first two lines of “Wild Ruins” it becomes clear this is a collaboration:

My sister emails me the link to the website with the catalog of photographs she has taken in her recent days of life. As I open the webpage a siren outside the house that we grew up in moves into ear range where I sit at this machine.

Those familiar with Blake’s writing will know of his father’s dementia. “Seven Interruptions” is an exploration of their relationship and a record of the degeneration. In the first essay we learn that his father is in a nearby hospital. “Within one mile of this house,” Blake writes, “my father is in a building full of people he does not know. This is where he sleeps now.” The photo “Wardrobe” reminds him why.

McClanahan by John Gagliano Blake’s writing, as always, is hypnotic; his thoughts, heartfelt yet analytic. The linguistic twists and turns, the spiraling phrases: at first not making sense but then, eventually, unfolding upon examination.

“I don’t try to wonder if my father’s memory condition is something that will come for me in the same way. It will or it won’t,” Blake says in the fifth essay. And finally, you feel the weight. Blake holds you there a bit longer with “All My Bags Are Packed,” a photo of a suitcase, barely visible in the shadows and a sheer curtain distorting its position.

I can’t think of what I would fill a suitcase with if I knew I was going to leave this house for the last time. Maybe just as much of the air as I could get to fit into it, something later to have to breathe.

The final essay in Frequencies, “The Magic Merge,” is Tracy Rose Keaton’s personal account of growing up the daughter of a demi-celebrity father. Having been exposed to his rock-and-roll lifestyle, and the women who come with it, Keaton was familiar early on with the groupie: the “American invention,” the “quintessence of feeling like nothing.”

The groupie is definitely a consumer who ends up getting eaten in the end. Not fabulous enough to be a concubine, or glamorously sinister enough to be a succubus…

It was her father’s girlfriend, a super-groupie—“Tall and slender, with long raven hair, her ass was on the cover of a 1972 ‘gentlemen’s’ mag, perched on a bicycle seat”—that made Keaton realize she could never compete as one of these women. So, instead, she opted for her own “odd mixture of scowling misanthrope and cultural anthropologist in big black shoes.”

She found salvation in a Pretenders album:

One day my dad brought home the first Pretenders album and threw it on the brown velvet couch. He might as well have thrown a grenade. …

A pivotal moment in Keaton’s life:

When I was growing up, girls simply did not play guitars. … I had never heard a lady sound so strong and threatening and calm. … Some of the oldies-but-goodies have Betty Friedan. I’ve got Chrissie Hynde.

“The Magic Merge,” a nod to the perzine, is a natural close to a new journal that values experimentation and old school style.

::[Links]::
Buy Frequencies at your local bookstore
More info about Frequencies
Read Scott McClanahan’s essay

Written by Gabrielle

December 13, 2012 at 6:50 am

Week in the World: Above and Beyond Edition

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Here are a few things I came across this week that were exceptional.

PODCASTS
Perfect Day Publishing on Late Night Conversation
I’ve mentioned The Late Night Library’s podcast, Late Night Conversation, before but their interviews continue to be amazing, so, here we are again. This Portland-based organization is devoted to spreading the awareness of independent publishing. The show, hosted by co-founder Paul Martone, features debut authors and publishing professionals from small presses. Martone has the conversational style that makes podcasts so great. He’s thoughtful, informed, and curious.

The latest episode features Perfect Day Publishing founder Michael Heald and author Lisa Wells, whose book Yeah. No. Totally was published by the press this year. I first came to hear of Perfect Day Publishing through a previously self-published book they’d reprinted after it gained some attention. Love Is Not Constantly Wondering If You Are Making the Biggest Mistake of Your Life is one of the best books I read in 2012.

In other podcast news, Alec Baldwin talked to Billy Joel in July and I just got around to listening to it. It was pretty great.You’ll probably enjoy it more if you’re from Long Island. A personal favorite, Teju Cole was on CBC’s Writers & Company, one of the best author interview shows out there today.

WRITING
This weekend I came across an article by Blake Butler on HTMLGIANT called ‘22 Things I Learned from Submitting Writing.” At first glance I expected it to be snarky. While the site is typically earnest, there’s a level of sarcasm lurking underneath. This piece from Blake, however, was truly generous. Here are a few of my favorite points:

4. Often editors who reject you are doing you a favor. Either the piece isn’t great and needs work (thus saving you face of looking back later like whyyyyy did I publish this) or taking a strong piece and making it stronger because of force of will.

5. Some pieces are you learning. Some never get it right. Don’t publish your homework.”

13. Don’t lose sight of someone you love in the midst of this.

19. Be a person, not an email address with a social profile and an onslaught.

Also of note is writer Brad Leithauser’s essay about the different ways we read fiction–mainly two ways, like a critic and like a child. He recalls the time he and his then 15-year-old daughter had a conversation about Rachel from Daphne du Maurier’s “My Cousin Rachel.”

I’m eyeballs deep in noir at the moment and came across this great essay by Raymond Chandler called “The Simple Art of Murder.” I’m sure many crime fiction fans have already stumbled on this, a few possibly owning a highlighted copy in their drawer somewhere, but for the rest of us…

Every detective story writer makes mistakes, and none will ever know as much as he should. Conan Doyle made mistakes which completely invalidated some of his stories, but he was a pioneer, and Sherlock Holmes after all is mostly an attitude and a few dozen lines of unforgettable dialogue.

ART
The Los Angeles Review of Books has quickly become the place to go for in-depth, thoughtful coverage of the arts. Their front page has a triptych that changes at least twice a week. Recently, I came across their LARBart Tumblr where the work is displayed and explained.

While the name suggests heavy coverage of books, LARB has able people writing about other topics as well. Recently, they ran an interview with Ellen Lupton, one of the curators of “Graphic Design: Now In Production,” now on view at the Hammer Museum in Los Angeles. Ellen runs the MFA design program at the Maryland Institute College of Art and is the author of Thinking with Type.

Today, every designer is a production artist — setting type, retouching photos, and making endless updates for clients. The convergence of design and production gives us more direct control over the outcome of a project, while also loading us with an ever-growing list of skills and tasks to master. … Many designers today are using their knowledge of production techniques to become publishers, authors, editors, and instigators.

The term “graphic” has long been a point of contention in our field. … I like the word “graphic” because it connects us to the world of text, as well as to the “graphic arts” — the processes of printing and production. Typography is always about writing, and writing is a graphic phenomenon.

TV
I usually roll my eyes at algorithms, those computer generated recommendations, but the other night while I was clicking through Netflix I noticed a British program from the 80s that was highlighted for me, The Comic Strip Presents, a sketch comedy show featuring Rik Mayall and Adrian Edmondson of The Young Ones and Jennifer Saunders, who later went on to create and star in Absolutely Fabulous. If you’re a fan of any of the above, you should stop reading now and add it to your queue. For those more familiar with Portlandia, this is their long lost British forebear.

Written by Gabrielle

November 29, 2012 at 6:51 am

Week in the World: Grimm’s Fairy Tales, Hallucinations, and Espionage

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Here are just a few things I’ve consumed these past few weeks that deserve some sharing.

Podcasts
Hansel and Gretel by Arthur Rackham 1909For all you publishing junkies, Rob Spillman, editor of Tin House magazine and editorial advisor of Tin House Books, talks to Late Night Library about the book industry. For those of you who like fairy tales, WBUR’s mid-morning program, On Point, spoke with author Maria Tatar about the Brothers Grimm and Philip Pullman spoke with NPR’s Weekend Edition about his book, Fairy Tales from the Brothers Grimm, which retells the classic stories.

For something completely different, Oliver Sacks spoke with NPR’s Fresh Air about his history with hallucinogenics. And, once again The Nerdist came through with their incredible interview with veteran broadcast journalist Larry King. If you’re interested in interviewing, King shares some tips on how to get people to open up. This is a must-listen.

Essays
A few weeks ago when I tweeted Joe Queenan’s Wall Street Journal essay, which turned out to be an excerpt from his new book, One for the Books, my bit.ly count went skyhigh. The short sentence I used, “A case can be made that people who read a preposterous number of books are not playing with a full deck,” must have struck a nerve with those who follow my feed. I know it did with me. Since reading this fantastically funny piece I’ve finished Joe’s book. As a review is forthcoming I will not go too much into it. What I can say is that it was hilarious the whole way through.

Another great essay was Ian Sansom’s piece in The Guardian about paper. He, too, has a new book out (in the UK), called Paper: An Elegy. In his article he calls for the creation of a “National Paper Museum.” Sansom, as one would imagine, produces an ode to paper but instead of getting caught up in his own feelings on the matter, he digs into history to show readers how important paper was in the past and how it still endures today. At one point he goes so far as to call paper “our second skin.”

Meanwhile, over at The Millions, staff writer Sonya Chung talks about her own conflicted feelings about digital life.

Television
Having just finished Season 4 of Sons of Anarchy, now streaming on Netflix, I started a new show, Person of Interest, now in its second season. For fans of espionage films and police procedurals, Person of Interest is worth checking out. The show follows an ex-CIA officer, played by Jim Caviezel, and his billionaire buddy, played by Michael Emerson of “Lost,” as they try to save the lives of people who are names by a secret surveillance system. Although a tad bit cheesy, any minor flaws the show might have are erased by the endearing characters and intriguing storyline.

Written by Gabrielle

November 15, 2012 at 6:52 am

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