Posts Tagged ‘journalism’
Long-form journalism—creative nonfiction which is longer than a traditional article but shorter than a novel—is all the rage these days. Whether you believe the genre has made a comeback or you feel it had never gone away, it’s hard to ignore the growing excitement for recently developed sites such as Byliner, Atavist, Longreads, and Longform.
Earlier this year, Buzzfeed announced its long-form section, breaking from its forte, the listicle; and just this past summer, The New York Times announced it was developing a new, long-form digital magazine.
Those who seek these medium length stories will be happy to know that Longform has a weekly podcast.
Hosted by Longform co-founders Aaron Lammer and Max Linsky, and Founder and Editor of Atavist, Evan Ratliff, the show asks nonfiction writers and editors about their assignments, creative processes, and careers. These free-flowing conversations offer invaluable insight into the world of journalism and the writers who bring you the stories.
Whether you’re a writer or a media junkie, this podcast, with sixty-five episodes in its archive, will be a highlight of your week. Here are just a few places to start, in descending date order.
Gay Talese began his writing career with The New York Times as their sports reporter in the late 50s. In the mid 60s he left to write full-time for Esquire. Talese is known for his profiles, most notably the one on Sinatra, “Sinatra Has a Cold,” which ran in Esquire in 1966.
Extra credit: Gay Talese, The Art of Nonfiction, No. 2; The Paris Review
Edith Zimmerman, Founding Editor of The Hairpin, talks about starting up the affiliate site to The Awl, running it, and handing it over to someone else. Known for unconventional approaches to writing profiles, she talks about her piece on Chris Evans, written for GQ, and what contributed to its originality.
Natasha Vargas-Cooper talks about crime reporting, her approach to perspective, trying to write a book in 30 days, and her interest in the human narrative. Her writing has appeared in GQ, Spin, New York, and on BuzzFeed.
Anyone familiar with Ann Friedman’s advice column on the Columbia Journalism Review’s website, #realtalk, won’t be surprised to hear that her episode is full of excellent tips for freelancers, like creating a weekly email newsletter and drinking with editors.
Extra credit: Ann writes a weekly column at The Cut on New York magazine’s website and recently wrote a piece about LinkedIn for The Baffler.
Emily Nussbaum, television critic for The New Yorker, talks about criticism today, how she chooses what to write about, and how Twitter helps her brainstorm.
Extra credit: Read Emily’s archive at The New Yorker. Follow her coverage on Twitter.
As a Publicity Manager specializing in online media for a publishing house, every week I’m required to put together a roundup of links to send out company-wide. Since everything looks like a blog post to a blogger I thought putting it here as well was a no-brainer. So, from here on out, I’ll have weekly link roundups featuring publishing and tech news. Please feel free to share your favorite news and sites in the comment section; I’m going to need all the help I can get!
E-books and Readers
- PM Press in Oakland, Calif., is the first book publisher to bundle free e-books with nearly every one of the physical books purchased on its Web site. Publishers Weekly
- How popular are digital magazines? The Guardian
- Can traditional bookstores survive? A roundup of opinions. The New York Times
- B&N reports a 20% decline in Nook revenue. AppNewser via B&N press release
Apps and Tech
- There’s a new, free scheduling app that breaks down your day into people, places, tasks, and locations. Fast Company
- Best Android Apps for writers. AppNewswer
- This interactive device is threatening to kill the mouse. FastCoLabs
- Four tips for tweeting content. All Twitter
- 10 social media tips from the Financial Times. Journalism.co.uk
- How to use Google+ for book promotion. Digital Book World
- 10 journalism sites and media people to follow on Twitter. PR Daily
- Using multimedia in your tweets increases the chance people will share it. Poynter
- How bookstores promote events today. Shelf Talker
Media and Publishing
- Conde Nast signed a distribution deal with Amazon that is the first of its kind. Conde Nast president Bob Sauerberg said, “We want to go from selling print subscriptions to selling access to all our content.” Fast Company
- Listicles are here to stay, because the kids like them. DigiDay
- Cory Doctorow on improving book publicity in the 21st century (spoiler: know who uses NetGalley). Locus Magazine
- The “Today” show has a new book club. Publishers are happy. New York Times
- A new online and print magazine called The Riveter highlights longform writing by women. Poynter
- What’s up with cover reveals? Beyond Her Book
Writing and grammar
- “Proofreading is the last line of defense for quality control in print and online publishing.” Here are 7 proofreading steps to make sure your writing is up to snuff. Daily Writing Tips
- 9 tips for a better author bio. LitReactor
- What was once called “small talk” is now “conversational intelligence.” Here are five stages of a successful conversation. WSJ
- If you still need help, here are six tips for having productive conversations. Fast Company
- A critical look at Google’s “20% time,” which allows employees to work on hobbies during work. Harvard Business Review
Podcasts and Radio
- What Lady Gaga can teach business about building and maintaining customer loyalty. Twist Image Podcast
- Freelance book publicist Lauren Cerand shares some useful insight. Late Night Library
- Media mogul and teen fashion blogger Tavi Gevinson talks to Books & Arts Daily. Radio National
- Jeff Bezos, The Washington Post, and the Future of Newspapers. On Point
This roundup’s strongest piece of journalism goes to Stephen Rodrick, contributing writer at the New York Times Magazine and contributing editor at Men’s Journal, for his piece Times, “Here is What Happens When You Cast Lindsay Lohan in Your Movie.”
Rodrick was given full access to the filming of Lindsay Lohan’s forthcoming low budget, Kickstarter-funded film, “The Canyons,” directed by Paul Schrader and written by Bret Easton Ellis. It reads as a fair piece, which, with Lohan as a subject, is a feat all on its own. What makes it so incredible, however, is that the writing is fantastic. It truly is a lesson in feature writing, to be printed, studied, and saved.
A bit of background:
Schrader wrote “Raging Bull” and “Taxi Driver” and has directed 17 films. Still, some fear Lohan will end him. There have been house arrests, car crashes and ingested white powders. His own daughter begs him not to use her. A casting-director friend stops their conversation whenever he mentions her name. And then there’s the film’s explicit subject matter. Full nudity and lots of sex. Definitely NC-17. His wife, the actress Mary Beth Hurt, didn’t even finish the script, dismissing it as pornography after 50 pages.
Noir-like description of Lohan:
“She was quite pale, her skin not on speaking terms with daylight.”
This article had been so popular with #longreads fans that they begged for an interview with Rodrick on their Longform Podcast. Rodrick discusses how the assignment came about, the access he had, and how writing stories for The New York Times works.
Another great interview in Longform’s growing archive is with Charles Duhugg, New York Times reporter and author of The Power of Habit. Here he talks about journalism, best practices for writing (and life), and (again) how The New York Times works.
On his approach to interviewing for a job, which can be applied to many other things:
You want to be surprising. People love surprises. That is how we stay interested.
On using edited material for “bonus features”:
The stuff that gets cut out gets cut out for a reason. The discipline of space is always a good discipline. If it deserves to be read, it shouldn’t be on the cutting room floor… If it ends up on the cutting room floor, there’s usually a reason why.
Parul Sehgal, Editor at the New York Times Book Review, former Books Editor at NPR, explores three essay collections in an essay of her own.
Invented in France by Michel de Montaigne, the 16th century’s great oversharer; perfected in England by Samuel Johnson and William Hazlitt; the essay found America very agreeable: “The United States itself — and even its name, according to some sources — is partly the outcome of the essayistic brilliance of the radical English artisan Thomas Paine,” Christopher Hitchens, one of its finest modern practitioners, wrote.
The Millions ran an argument in favor of reading fewer books in 2013:
This past year I read 56 books. That’s slightly off the pace of 60 books a year that I’ve set over the previous 12 years, but then I did read a lot of very long history books this year — yes, I’m looking at you, Robert Caro – and my wife and I did make a very time-consuming move to Canada late in the year. Or at least that’s what I’m telling myself. Maybe the real answer is that I’m just getting tired of trying to read so damn many books.
Podcast host extraordinaire Colin Marshall sat down with Los Angeles Review of Books founder and editor-in-chief, Tom Lutz. They talk about the LA literary scene, book reviewing, and what it’s been like running the Review. You can catch Colin Marshall regularly as host of Notebook on Cities and Culture, “a twice-weekly long-form conversation with cultural creators, internationalists, and observers of the urban scene around Los Angeles, San Francisco, Portland, Osaka, Kyoto, and beyond.”
Lena Dunham and Judd Apatow had this totally adorable–and insightful–conversation via Skype (transcribed for print) about how they collaborate. It sounds like a very healthy relationship.
Apatow: You know, the show is run differently from other shows because we’re trying to really filter everything through you. My goal is to have you do as much work as possible without getting killed. So part of what I’m trying to do is pace you so you don’t collapse. For me, a lot of the work is just having a very fresh brain and set of eyes to read things and look for where there are holes or trouble and then trying to help fix that.
Dunham: I feel like you’re constantly monitoring my brainpower and body power, even when I’m not able to tell what I’m feeling.
And Lena Dunham was on Here’s the Thing with Alec Baldwin. Incredible conversation.
The Bob Marley documentary “Marley,” now streaming on Netflix, is beyond amazing. I hope to have a proper writeup in the near future but, in the meantime, watch it. Seriously.
I don’t believe this is a new phenomenon but I’ve noticed an overwhelming amount of quality journalism on the Internet lately. Here are a few pieces that made me think about creative nonfiction, links to more straightforward writing articles, and, of course, television shows and podcasts for when you’re done reading.
The Food That Ate Manhattan: The Implacable Rise of Frozen Yogurt Leaves Us Cold by Kim Velsey for The New York Observer
Anyone who knows me knows about my terrible frozen yogurt habit. I’ve memorized the locations of all the self-serve places below 14th street. I know the Tasti-d-Lites that surround the stores and coffee shops I frequent. I couldn’t go a day without it, or at least not easily. So, when I came across this fantastic article on the rise of frozen yogurt, specifically in New York City, and read its mocking, horrified tone, I was enthralled and wanted to share with everyone I knew.
It was not until one day in Union Square that I realized, in a moment of disquieting clarity, that frozen yogurt shops were everywhere. A Joyride frozen yogurt truck idled by the park, Diet Lite Ice Cream was visible just down 17th Street, and a Yelp search revealed that a Pinkberry, a Tasti D-Lite, a Red Mango, a 16 Handles, a Yoqua Bar and a Yogurberry were all within a five to 10 minute walk. None of which were deemed satisfactory by the friend at my side, who urged us on toward Flavaboom on Sixth Avenue, where one could get the nonfat flavors twisted together and heaped with cheesecake bites and cookie dough.
Nearly skipping with anticipation, she raved about frozen yogurt the whole way there. It was alarming. How could she be so into frozen yogurt? I wondered. How could anyone?
Saying Goodbye to Now by Thomas Beller for the New Yorker’s Culture Desk
Thomas Beller is an excellent observer. In this essay he looks at the difference between memories and photographs. At one point he asks, “Are [these memories] any more vivid to me because there are no photographs? Conversely, would photographing have taken me away and made it all less sharp in my mind?” But first he begins:
My daughter was now airborne. A flying monkey coming right at me, headfirst: straw-yellow hair, a blue skirt, blue spaghetti-strap shirt, apple cheeks, and lips garishly smudged with pink lip gloss within which is the whiteness of her bared teeth—
Stop! Right here, let’s freeze the frame. Here is an image that I will never see again, except in my memory. A girl in mid-flight, waves of green behind her, her face all bright with the colors —blue, pink, yellow, white—of joy and delight, and behind her, as though it was the place from which she had fled, an old, dignified mansion.
Right then, as she was airborne, my hand twitched and slapped my pocket, in the dim hope that I could locate my camera, pull it out, and shoot while the moment still held. But there was no camera, and anyway there was no time. I will never forget this image, though I may already be embellishing it. And you will never see it. You may picture it, but the picture itself was not taken. I had to fight off a sadness about this, because the moment, after all, was happening, and it was beautiful, and anything that detracted from my perception of that was a shame.
Deconstructed—Chris Ware’s Innovation by Steve Almond for The New Republic
Steve Almond is one of my favorite contemporary writers. I particularly like his nonfiction and usually find that his essays double as a writing lesson. In this review of Chris Ware’s epic graphic art experiment, Building Stories, Almond teaches us how to write about things of which we have no authority:
Let’s start with my qualifications as a critic of graphic novels: Putting aside an adolescent excursion into a stoner comic strip called the Fabulous Furry Freak Brothers, I have none. Worse yet, I tend to associate graphic novels with the regressive and haughty wing of hipsterism, the one that favors mope rock and off-brand beers. I guess what I’m getting at here is that I’m a nitwit.
There is no greater evidence of my nitwittedness (currently) than my initial reaction to the new release by the graphic novelist Chris Ware, who I have come to understand is something of a big deal in his field.
While this is totally hilarious, it is also getting at a problem that deserves attention–how do you write about something you haven’t got the slightest clue about? How do you look at a text, a work of art, a film, or listen to a piece of music and judge it, deconstruct it, and put to paper your thoughts and observations without context? Steve Almond breaks the taboo, touts his ignorance, and, inadvertently, champions the amateur.
Four hours with John McAfee by Adam Thomson for The Financial Times
This profile of John McAfee, a tech tycoon who went on the lam after his neighbor was murdered, is a story that got really weird, really fast. The first reporting I’d read was in the Financial Times when one of their correspondents met up with him in Belize to write a profile:
There was nothing serene or tranquil about McAfee. As soon as he closed the front door, he ditched the limp and the crippled arm. Then, hands trembling, he reached for one of several cigarette packets lying on the table.”
His distress, and that of Samantha, his feisty 20-year-old Belizean girlfriend – during the interview, she accused me of being scared: “I’m young and smaller than you and I’ve got more balls” – was more than understandable given the saga that their lives had become over the previous few weeks.
Apparently, VICE magazine was there as well and gave away McAfee’s location through an iPhone photo embedded with GPS coordinates. Something McAfee is now suing them for. However, as The New York Times Decoder blog reports:
Within 36 hours, he began an aggressive campaign to court and spin coverage of his story. … Mr. McAfee seemed to understand the dynamics of journalism well enough to know which assertions reporters would pass along without double-checking or qualifying — like his claim that he had eluded the police by burying himself in sand and positioning a box over his head — even as his self-created narrative veered ever further into the surreal.
WRITING and PUBLISHING
How to Write a Book Review from Daily Writing Tips
Why Netflix Makes You a Better Writer on LitReactor
Five Dos and Don’ts for Picking an Editor by Susan J. Morris for Omnivoracious
Should You Spend Money On Publicity & Marketing? by Randy Susan Meyers for Beyond the Margins
TELEVISION and PODCASTS
For those of you who don’t have cable, Lena Dunham’s show Girls is now available on DVD. While you’re at it, co-producer Judd Apatow’s show Freaks and Geeks (1999) is streaming on Netflix. And for his latest film, ‘This is 40,’ Apatow has been doing some interviews: The Nerdist with Chris Hardwick and Bullseye with Jesse Thorn.
Now that everyone’s caught up on Mad Men Season 5, you can listen to The Nerdist Writer’s Panel’s “Mad Men season five in review” episode with Creator and showrunner Matthew Weiner, showrunners Andre and Maria Jacquemetton, and writer Erin Levy.
Alec Baldwin spoke with Lapham’s Quarterly founder, Lewis Lapham, for his show, Here’s the Thing. Lapham has an excellent gravelly voice that makes his stories and wisdom even better, if that were possible. You can also read an interview Lewis recently conducted with Smithsonian Magazine that I meant to share last week.
To the Best of Our Knowledge spoke with autistic savant Daniel Tammet and it was mesmerizing. Daniel is one of the few people with autism who can express his thought process and explain what he experiences. To hear him tell the interviewer how he thinks was astounding.
Last night at McNally Jackson three magazine editors came out to give the crowd a behind-the-scenes look at the editorial process. Deputy Editors Ellah Allfrey and James Marcus, of Granta and Harper’s Magazine, respectively, were joined by Deborah Treisman, The New Yorker Fiction Editor, for a round table discussion moderated by John Freeman.
John, the Editor of Granta, started the night with a question about the latest Vida results, an organization that tracks female representation in magazines — stories and reviews written by women and books written by women, reviewed. Deborah revealed the generational divide she sees in the submissions to her magazine. Stories from writers age 40 and up come from more men than women while with those from writers under 40 the ratio is close to an even split. James admitted that the results from Harper’s are “rotten” (articles written: 13 female:65 male; book reviews: 10 female:23 male; author’s reviewed: 19 female:53 male). Their fiction split is close to even but because they publish foreign reportage, most of the nonfiction articles come from men. Ellah was happy to report that Granta did very well, with more female contributors than male. Ellah attributes this to their magazine’s tradition of publishing each issue based on a theme.
The group went on to discuss the steady stream of material flowing into the slush pile and how they wade through it — a mixture of interns and editorial staff. John brought up the lack of short story writers in Britain, which Deborah boiled down to the lack of encouragement from the publishing market. If there are less than a handful of places to sell your short story, why write one? Ellah, visiting from England, mentioned that with the rise of innovation of how the stories are consumed, as audio on BBC Radio for example, the situation overseas is improving.
Talk of different ways of experiencing the written word inevitably led to discussion of digital. The New Yorker has a fiction podcast where contemporary authors, featured in the magazine, choose a story from the archive to read aloud. The magazine also have a book blog where twice a month Deborah speaks with the author whose fiction is featured in the current issue. Granta features new writing on their site nearly every day. And while Harper’s is slower getting into the digital game, a conscious choice by the top decision maker, there is talk about a change in policy.
The liveliest part of the evening might easily have been when all four took turns discussing the writers they were enthusiastic about. And, so, this week’s “On the Shelf” segment comes from the experts. Here were their answers.
Deborah named Callan Wink who wrote the short story “Dog Run Moon” for the magazine. You can check out his Q&A with Deborah here. His story is subscription only but from what it sounds like, it’s worth paying for. Looking ahead, she is currently reading Salman Rushdie’s memoir, due out from Random House in 2012.
James chose Clancy Martin who published the book How to Sell with FSG in hardcover and then Picador in paperback. He also mentioned Bonnie Nadzam who came out with the highly acclaimed, award-winning novel Lamb last year.
John’s picks were Louise Erdrich for her short story writing skills and Julie Otsuka, a past contributor to Granta, who wrote Buddha in the Attic. He called the author Ross Raisin a “ferocious stylist” and suggested everyone read him. And finally, he mentioned Richard Ford’s introduction to The Best American Short Stories from 1990 for his comments on short story structure.
Ella highlighted a new Nigerian author Chinelo Okparanta who writes stories about lesbian lovers in Africa and environmental issues that threaten the country. I believe she’ll be published in the magazine soon.
Patrick Ryan, Granta’s associate editor, when he joined in the discussion to share an adorable slush pile story, mentioned Chris Dennis, a recent contributor to the magazine.
I know my reading list just got longer. What short story collections are you reading? What new short story writers have your attention? Comments are open.
If you’re looking for a take down of the New York Times, Page One: Inside the New York Times, is not for you. This documentary, which premiered at Sundance in January and is now available on DVD, is a look at the future of the newspaper industry through the lens of the New York Times’ media editors and reporters.
Director Andrew Rossi, previously the Associate Producer of Control Room, the 2004 documentary about Al Jazeera, had 14 months of considerable access at the Times. His footage even includes scenes from the twice-daily meetings where executives and desk editors meet to decide what stories would make it onto the front page, the coveted spot after which the movie is named.
When asked by The Huffington Post why he allowed Rossi such access, Bill Keller, who was the paper’s Executive Editor at the time of filming, said, “Andrew had what sounded like a smart angle — follow the media desk as it covers the implosion of our own industry”. More importantly, perhaps, “Andrew passed [David Carr’s] smell test.”
For those of you who don’t already who know David Carr is, you will by the end of the film. Former editor of the Twin Cities Reader and the Washington City Paper, now media columnist for the paper, David is the star of the film. He’s brash, incisive, scrappy—and incredibly likable. Despite his rough demeanor, he’s a fair journalist. In an interview with Fresh Air’s Terry Gross, Carr explains that he doesn’t trick sources into giving him good quotes. He doesn’t feed them false pleasantries hoping to lower their guard. If the story’s going to be a rough one, he tells them so they have a chance to defend themselves.
Carr’s media desk cohorts include Brian Stelter, a former anonymous blogger now Times reporter known for his fantastic Twitter skills, reporter Richard Perez-Pena, and department editor Bruce Headlam. Together, with a few other contributors, they form the site’s Media Decoder blog, which according the Times is “an insider’s guide to the media industry . . . a showcase for the extensive media coverage throughout The New York Times and a window on how the business of connecting with consumers is changing in the digital age.”
The film sets out to chart the wave of uncertainty that swept the newspaper industry starting in 2008—and continues to this day. As part of the investigation into new media’s role in people’s consumption of news and the status of traditional news outlets, Wikileaks acts as a case study. As the paper who released the Pentagon Papers 30 years earlier, Times reporters and news analysts are able to make direct comparisons.
The film allows the editors at the paper to discuss the gaffes that had taken place in quick succession—the Judith Miller Iraq War reporting and the Jayson Blair plagiarism scandal—in their own words and how they affected traditional media’s integrity.
In a short segment on the encroaching online outlets both Gawker founder, Nick Denton, and Arianna Huffington, owner of The Huffington Post, said the future of the media is giving people what they want to read. Notable push back on this philosophy, one of hit-driven content, came from former Baltimore City reporter and Wire creator David Simon and Katrina vanden Heuval, Editor and Publisher of the liberal weekly magazine The Nation. ProPublica, an independent, non-profit investigative news outlet was praised for its model and efforts: serious reporting on issues that matter to the health of civil society and their willingness to partner with traditional media outlets for occasional content and distribution.
Also worth mentioning are the interviews with Clay Shirky, a prominent thinker on Internet technologies, and Jeff Jarvis, similarly, a media theorist, both of whom play something of a foil to the more positive predictions for traditional media outlets.
For media junkies, the talk about the future of print journalism, the behind-the-scenes footage, and David Carr’s show-stealing personality makes this documentary well-worth watching. Highly recommended for a lazy Sunday.
Page One’s official website
Page One on Netflix
Q&A with Andrew Rossi
David Carr and Andrew Rossi on NPR’s Morning Edition
David Carr on Fresh Air
David Carr on Twitter
Brian Stelter on Twitter
Michael Kinsley’s review of the film for the New York Times
Review on NPR’s All Things Considered
On the Shelf: books by people featured in the film
David Carr is outspoken about his history with drug addiction. He speaks a bit about it in the film. In this book.
“In his ambition for connection Mr. Carr decides to report on his own life as if That Guy were a stranger. If This Guy can’t clearly see That Guy through the chemical and temporal blur, perhaps others can. Across many months, equipped with tape recorder and video camera, he tracks down figures from his past: friends, antagonists (including old editors), drug dealers, former girlfriends, members of his immediate family. He even interviews his own daughters. He hopes all of them will fill in some of the blanks. For the most part they do. The emerging self-portrait is not pretty.” [Pete Hamill via New York Times]
Cognitive Surplus: How Technology Makes Consumers into Collaborators by Clay Shirky
“Shirky’s hypothesis is that a lot of the 20th century stuff we used to take for granted — most people didn’t want to create media, people didn’t value homemade and amateur productions, no one would pitch in to create something for others to enjoy unless they were being paid — weren’t immutable laws of nature, but accidents of history. The Internet has undone those accidents, by making it possible for more people to make and do cool stuff, especially together. . . . Cognitive Surplus fizzes with great insights about how people use networks and interact with each other [and] continues to prove that Clay Shirky is one of the best thinkers and advocates the net has. It’s a delight to read and will change how you think about the future.” [via BoingBoing]
You can check out his profile and videos at TED
Public Parts: How Sharing in the Digital Age Improves the Way we Work and Live by Jeff Jarvis
“Privacy has its advocates. Jeff Jarvis has made himself an advocate for publicness. In Public Parts: How Sharing in the Digital Age Improves the Way we Work and Live, the original Internet optimist argues that if we become too obsessed with guarding all personal information on the ‘Net, we’ll miss important opportunities that come with making information available.” [via Fortune at CNN Money]
You can listen to an interview with Jeff about his book on the Six Pixels of Separation podcast
The Kingdom and the Power: Behind the Scenes at The New York Times: The Institution That Influences the World by Gay Talese
Gay Talese, a former reporter for the Times, appeared in the film. He also wrote a book about the paper.
“The classic inside story of The New York Times, the most prestigious, and perhaps the most powerful, of all American newspapers. Bestselling author Talese lays bare the secret internal intrigues behind the tradition of front page exposes in a story as gripping as a work of fiction and as immediate as today’s headlines.” [IndieBound]
What’s on your shelf? Comments are open.