Posts Tagged ‘translated literature’
Keep your eye out for these paperbacks coming out this month.
Made to Break by D. Foy
Two days before New Years, a pack of five friends–three men and two women–head to a remote cabin near Lake Tahoe to celebrate the holidays. They’ve been buddies forever, banded together by scrapes and squalor, their relationships defined by these wild times.
After a car accident leaves one friend sick and dying, and severe weather traps them at the cabin, there is nowhere to go, forcing them to finally and ultimately take stock and confront their past transgressions, considering what they mean to one another and to themselves.
With some of the most luminous and purple prose flexed in recent memory, D. Foy is an incendiary new voice and “Made to Break,” a grand, episodic debut, redolent of the stark conscience of Denis Johnson and the spellbinding vision of Roberto Bolano.
Waiting for the Barbarians: Essays from the Classics to Pop Culture by Daniel Mendelsohn
Over the past decade and a half, Daniel Mendelsohn’s reviews for The New York Review of Books, The New Yorker, and The New York Times Book Review have earned him a reputation as “one of the greatest critics of our time” (Poets & Writers). In Waiting for the Barbarians, he brings together twenty-four of his recent essays—each one glinting with “verve and sparkle,” “acumen and passion”—on a wide range of subjects, from Avatar to the poems of Arthur Rimbaud, from our inexhaustible fascination with the Titanic to Susan Sontag’s Journals. Trained as a classicist, author of two internationally best-selling memoirs, Mendelsohn moves easily from penetrating considerations of the ways in which the classics continue to make themselves felt in contemporary life and letters (Greek myth in the Spider-Man musical, Anne Carson’s translations of Sappho) to trenchant takes on pop spectacles—none more explosively controversial than his dissection of Mad Men.
The Story of My Purity by By Francesco Pacifico; translated by Stephen Twilley
Thirty years old, growing flabby in a sexless marriage, Piero Rosini has decided to dedicate his life to Jesus. He’s renounced the novels and American music that were filling his head with bullshit; he’s moved out of his fancy bourgeois neighborhood, which was keeping him from finding spiritual purity and the Lord’s truth. Now that he and his wife have settled into an unﬁnished housing development on the far outskirts of Rome, he’ll be able to really concentrate on his job at an ultraconservative Catholic publishing house, editing books that highlight the decadence and degradation of modern society, including one claiming that Pope John Paul II was secretly Jewish. But Piero is suffocating. He worries that The Jewish Pope might be taking things too far. He can’t get his beautiful sister-in-law out of his head. Temptations are breaking down his religious resolve. He decides to flee to Paris, which turns out not to be the best way of guarding his purity.
With a charismatic narrator as familiar with the finer points of Christian theology as with the floor layout of IKEA and the schedules of European budget airlines, Francesco Pacifico’s exuberant novel brings us Europe old and new and the inner workings of a conflicted but always compelling mind. The Story of My Purity is fiction with great humor, intelligence, neuroticism, and vision, from a young writer at the beginning of a tremendous career.
Present Shock by Douglas Rushkoff
People spent the twentieth century obsessed with the future. We created technologies that would help connect us faster, gather news, map the planet, and compile knowledge. We strove for an instantaneous network where time and space could be compressed.
Well, the future’s arrived. We live in a continuous now enabled by Twitter, email, and a so-called real-time technological shift. Yet this “now” is an elusive goal that we can never quite reach. And the dissonance between our digital selves and our analog bodies has thrown us into a new state of anxiety: present shock.
Douglas Rushkoff weaves together seemingly disparate events and trends into a rich, nuanced portrait of how life in the eternal present has affected our biology, behavior, politics, and culture.
The Unchangeable Spots of Leopards by Kristopher Jansma
As early as he can remember, the narrator of this remarkable novel has wanted to become a writer. From the jazz clubs of Manhattan to the villages of Sri Lanka, Kristopher Jansma’s hopelessly unreliable—yet hopelessly earnest—narrator will be haunted by the success of his greatest friend and literary rival, the brilliant Julian McGann, and endlessly enamored with Evelyn, the green-eyed girl who got away. A profound exploration of the nature of truth and storytelling, this delightful picaresque tale heralds Jansma as a bold, new American voice.
Drunk Tank Pink: And Other Unexpected Forces That Shape How We Think, Feel, and Behave by Adam Alter
Most of us go through life believing that we are in control of the choices we make—that we think and behave almost independently from the world around us. But as Drunk Tank Pink illustrates, the truth is our environment shapes our thoughts and actions in myriad ways without our permission or even our knowledge. Armed with surprising data and endlessly fascinating examples, Adam Alter addresses the subtle but substantial ways in which outside forces influence us—such as color’s influence on mood, our bias in favor of names with which we identify, and how sunny days can induce optimism as well as aggression. Drunk Tank Pink proves that the truth behind our feelings and actions goes much deeper than the choices we take for granted every day.
Sailor Twain by Mark Siegel
One hundred years ago. On the foggy Hudson River, a riverboat captain rescues an injured mermaid from the waters of the busiest port in the United States. A wildly popular—and notoriously reclusive—author makes a public debut. A French nobleman seeks a remedy for a curse. As three lives twine together and race to an unexpected collision, the mystery of the Mermaid of the Hudson deepens. A mysterious and beguiling love story with elements of Poe, Twain, Hemingway, and Greek mythology, drawn in moody black-and-white charcoal, this new paperback edition of the New York Times Best-Selling graphic novel by author/illustrator Mark Siegel is a study in romance, atmosphere, and suspense. Don’t miss Sailor Twain.
Here are just a few paperbacks coming out this month that have caught my eye.
Artful by Ali Smith
Artful is a celebration of literature’s worth in and to the world—it is about the things art can do, the things art is made of, and the quicksilver nature of all artfulness. A magical hybrid that refuses to be tied down to either fiction or the essay form, Artful is narrated by a character who is haunted—literally—by a former lover, the writer of a series of lectures about art and literature. Ali Smith’s heady powers as a novelist and short story writer harmonize with her keen perceptions as a reader and critic to form a living thing that reminds us that life and art are never separate.
Me, Myself, and Why: Searching for the Science of Self by Jennifer Ouellette
As diverse as people appear to be, all of our genes and brains are nearly identical. In Me, Myself, and Why, Jennifer Ouellette dives into the miniscule ranges of variation to understand just what sets us apart. She draws on cutting-edge research in genetics, neuroscience, and psychology—enlivened as always with her signature sense of humor—to explore the mysteries of human identity and behavior. Readers follow her own surprising journey of self-discovery as she has her genome sequenced, her brain mapped, her personality typed, and even samples a popular hallucinogen. Bringing together everything from Mendel’s famous pea plant experiments and mutations in The X-Men to our taste for cilantro and our relationships with virtual avatars, Ouellette takes us on an endlessly thrilling and illuminating trip into the science of ourselves.
The Story of Ain’t: America, Its Language, and the Most Controversial Dictionary Ever Published by David Skinner
Created by the most respected American publisher of dictionaries and supervised by editor Philip Gove, Webster’s Third broke with tradition, adding thousands of new words and eliminating “artificial notions of correctness,” basing proper usage on how language was actually spoken. The dictionary’s revolutionary style sparked what David Foster Wallace called “the Fort Sumter of the Usage Wars.” Critics bayed at the dictionary’s permissive handling of ain’t. Literary intellectuals such as Dwight Macdonald believed the abandonment of the old standard represented the unraveling of civilization.
Entertaining and erudite, The Story of Ain’t describes a great societal metamorphosis, tracing the fallout of the world wars, the rise of an educated middle class, and the emergence of America as the undisputed leader of the free world, and illuminating how those forces shaped our language. Never before or since has a dictionary so embodied the cultural transformation of the United States.
What’s Important is Feeling by Adam Wilson
Bankers prowl Brooklyn bars on the eve of the stock market crash. A debate over Young Elvis versus Vegas Elvis turns existential. Detoxing junkies use a live lobster to spice up their love life. Students on summer break struggle to escape the orbit of a seemingly utopic communal house.
And in the title story, selected for The Best American Short Stories, two film school buddies working on a doomed project are left sizing up their own talent, hoping to come out on top–but fearing they won’t.
In What’s Important Is Feeling, Adam Wilson follows the through-line of contemporary coming-of-age from the ravings of teenage lust to the staggering loneliness of proto-adulthood. He navigates the tough terrain of American life with a delicate balance of comedy and compassion, lyricism and unsparing straightforwardness. Wilson’s characters wander through a purgatory of yearning, hope, and grief. No one emerges unscathed.
Ghana Must Go by Taiye Selasi
Electric, exhilarating, and beautifully crafted, Ghana Must Go introduces the world to Taiye Selasi, a novelist of extraordinary talent. In a sweeping narrative that takes readers from Accra to Lagos to London to New York, it is at once a portrait of a modern family and an exploration of the importance of where we come from to who we are.
A renowned surgeon and failed husband, Kweku Sai dies suddenly at dawn outside his home in suburban Accra. The news of his death sends a ripple around the world, bringing together the family he abandoned years before. Moving with great elegance through time and place, Ghana Must Go charts their circuitous journey to one another and, along the way, teaches us that the truths we speak can heal the wounds we hide.
Seeing Power: Art and Activism in the Age of Cultural Production by Nato Thompson
A fog of information and images has flooded the world: from advertising, television, radio, and film to the information glut produced by the new economy. With the rise of social networking, even our contemporaries, peers, and friends are all suddenly selling us the ultimate product: themselves.
Here curator and critic Nato Thompson interrogates the implications of these developments for those dedicated to socially engaged art and activism. How can anyone find a voice and make change when the world is flooded with images and information? And what is one to make of the endless machine of consumer capitalism, which has appropriated much from the history of art and, in recent years, the methods of grassroots political organizing and social networking?
Highlighting the work of some of the most innovative and interesting artists and activists working today, Thompson reads and praises sites and institutions that empower their communities to see power and re-imagine it. From cooperative housing to anarchist infoshops to alternative art venues, Thompson shows that many of today’s most innovative spaces operate as sites of dramatic personal transformation.
The Guest Cat by Takashi Hiraide; Eric Selland (translator)
A bestseller in France and winner of Japan s Kiyama Shohei Literary Award, The Guest Cat, by the acclaimed poet Takashi Hiraide, is a subtly moving and exceptionally beautiful novel about the transient nature of life and idiosyncratic but deeply felt ways of living. A couple in their thirties live in a small rented cottage in a quiet part of Tokyo; they work at home, freelance copy-editing; they no longer have very much to say to one another. But one day a cat invites itself into their small kitchen. It leaves, but the next day comes again, and then again and again. Soon they are buying treats for the cat and enjoying talks about the animal and all its little ways. Life suddenly seems to have more promise for the husband and wife the days have more light and color. The novel brims with new small joys and many moments of staggering poetic beauty, but then something happens
Europe in Sepia by Dubravka Ugresic; David Williams (translator)
Hurtling between Weltschmerz and wit, drollness and diatribe, entropy and enchantment, it’s the juxtaposition at the heart of Dubravka Ugresic’s writings that saw Ruth Franklin dub her “the fantasy cultural studies professor you never had.” In Europe in Sepia, Ugresic, ever the flâneur, wanders from the Midwest to Zuccotti Park, the Irish Aran Islands to Jerusalem’s Mea Shearim, from the tristesse of Dutch housing estates to the riots of south London, charting everything from the listlessness of Central Europe to the ennui of the Low Countries. One finger on the pulse of an exhausted Europe, another in the wounds of postindustrial America, Ugresic trawls the fallout of political failure and the detritus of popular culture, mining each for revelation.
Infused with compassion and melancholic doubt, Europe in Sepia centers on the disappearance of the future, the anxiety that no new utopian visions have emerged from the ruins of communism; that ours is a time of irreducible nostalgia, our surrender to pastism complete. Punctuated by the levity of Ugresic’s raucous instinct for the absurd, despair has seldom been so beguiling.
Glyph by Percival Everett
Baby Ralph has ways to pass the time in his crib—but they don’t include staring at a mobile. Aided by his mother, he reads voraciously: “All of Swift, all of Sterne, Invisible Man, Baldwin, Joyce, Balzac, Auden, Roethke,” along with a generous helping of philosophy, semiotics, and trashy thrillers. He’s also fond of writing poems and stories (in crayon). But Ralph has limits. He’s mute by choice and can’t drive, so in his own estimation he’s not a genius. Unfortunately for him, everyone else disagrees. His psychiatrist kidnaps him for testing, and once his brilliance is quantified (IQ: 475), a Pentagon officer also abducts him. Diabolically funny and lacerating in its critique of poststructuralism, Glyph has the feverish plot of a thriller and the philosophical depth of a text by Roland Barthes.
On Loving Women by Diane Obomsawin; Helge Dascher (translator)
On Loving Women is a new collection of stories about coming out, first love, and sexual identity by the animator Diane Obomsawin. With this work, Obomsawin brings her gaze to bear on subjects closer to home—her friends’ and lovers’ personal accounts of realizing they’re gay or first finding love with another woman. Each story is a master class in reaching the emotional truth of a situation with the simplest means possible. Her stripped-down pages use the bare minimum of linework to expressively reveal heartbreak, joy, irritation, and fear.
On Loving Women focuses primarily on adolescence—crushes on high school teachers, awkwardness on first dates—but also addresses much deeper-seated difficulties of being out: fears of rejection and of not being who others want one to be. Within these pages, Obomsawin has forged a poignant, powerful narrative that speaks to the difficulties of coming out and the joys of being loved.
Her first English-language work, Kaspar—a retelling of the life of Kaspar Hauser, the mysterious German youth who was raised in isolation and murdered just a few years after emerging from his imprisonment—was critically lauded for its simple but expressive storytelling, and for the way it portrayed traumatic material compassionately but without self-indulgence. Preview.
Annihilation by Jeff VanderMeer
Area X has been cut off from the rest of the continent for decades. Nature has reclaimed the last vestiges of human civilization. The first expedition returned with reports of a pristine, Edenic landscape; all the members of the second expedition committed suicide; the third expedition died in a hail of gunfire as its members turned on one another; the members of the eleventh expedition returned as shadows of their former selves, and within months of their return, all had died of aggressive cancer.
This is the twelfth expedition.
Their group is made up of four women: an anthropologist; a surveyor; a psychologist, the de facto leader; and our narrator, a biologist. Their mission is to map the terrain and collect specimens; to record all their observations, scientific and otherwise, of their surroundings and of one another; and, above all, to avoid being contaminated by Area X itself.
They arrive expecting the unexpected, and Area X delivers—they discover a massive topographic anomaly and life forms that surpass understanding—but it’s the surprises that came across the border with them, and the secrets the expedition members are keeping from one another, that change everything.
In her debut novel Everything Happens as It Does, Bulgarian writer Albena Stambolova tells the story of seven characters, their lives weaved together through an experimental structuring of events and relationships. Here is a brief excerpt, taken from the opening chapter.
1. Little Boys and Their Parents
In the beginning, Boris was unable to think about the surrounding world. Things just happened to him, and he had no way of avoiding them.
His parents, for example, meek as they were, looked like a grandpa and grandma rather than a mother and father, and that always unsettled him. His sister was eighteen years older than him, and people mistook her for his mother.
Later, as he grew older, he devised a way to escape. He would try to lose himself in uninhabited worlds, where it was hard to establish relationships of the family kind.
It was with the bees that he first managed to draw the boundaries of something he could call his own.
Before he enrolled in the English Language School in Plovdiv, he had a lot of time on his hands and nothing to do. He made it his purpose simply to pass the time. Afterward the opposite happened: he learned to stretch time to fit whatever work he was doing. And to stay in his room, while his sister’s family, although he was supposed to be living with them, carried on a life of its own.
When he started to wear glasses, the painful awkwardness of his childish face shifted into a look of seriousness. The glasses somehow set everyone at ease, as if things had finally slipped into place. Wearing glasses had the effect of calming the vague fears the family harbored about Boris. Not that they now knew him better than before. But an introverted boy with glasses was less worrisome than an introverted boy without glasses.
Boris could feel the change in people’s perception of him and immediately saw its advantages. Later, when he grew a beard, he could see how, just as the glasses before, the beard replaced whatever it was in him that provoked fear in others. One thing substituted for another. And behind it all stood the child named Boris.
He never asked himself how others did it. Getting to an inviolable place of his own was all that mattered, and he could always tell when he was there.
He learned to do things no one paid attention to. Or to do things in such a way that no one paid attention to him. For instance, he was willing to eat something he couldn’t stand, rather than give himself away and make his dislike known to others. He realized that his mother felt anxiety and, although he could not understand why, he felt he knew enough already.
Excerpted from Everything Happens as It Does by Albena Stambolova, published by Open Letter. ©2002 Albena Stambolova. Translation ©2012 Olga Nikolova
Here’s what’s looking good this month in paperback.
Shantytown by Cesar Aira
Maxi, a middle-class, directionless ox of a young man who helps the trash pickers of Buenos Aires’s shantytown, attracts the attention of a corrupt, trigger-happy policeman who will use anyone — including two innocent teenage girls — to break a drug ring that he believes is operating within the slum. A strange new drug, a brightly lit carousel of a slum, the kindness of strangers, gunplay… no matter how serious the subject matter, and despite Aira’s “fascination with urban violence and the sinister underside of Latin American politics” (The Millions), Shantytown, like all of Aira’s mesmerizing work, is filled with wonder and mad invention.
Dark Times in the City by Gene Kerrigan
Danny Callaghan is fresh from prison, enjoying a drink in a quiet Dublin pub when two young thugs walk in. The guns come out and Danny intervenes, simultaneously saving the intended victim and insulting the kingpin of one of Dublin’s deadliest underworld outfits. Once the police decide to investigate, Danny has another grim decision to make: lying or acting as an honest witness. Either way he’s caught between corrupt officers of the law and a ruthless new gang culture.
Dark Times in the City plays out its absorbing human drama in a society stumbling from giddy prosperity to a frightening economic collapse. Against the background of this brilliantly observed Ireland, Kerrigan tells his tough, graceful story of the cost of one man’s decency.
An Extraordinary Theory of Objects by Stephanie LaCava
A haunting and moving collection of original narratives that reveals an expatriate’s coming-of-age in Paris and the magic she finds in ordinary objects
When Stephanie LaCava’s father transports her and her family to the quaint Parisian suburb of Le Vesinet, everything changes for the young American. Stephanie sets out to explore her new surroundings and make friends at her unconventional international school, but her curiosity soon gives way to feelings of anxiety and a deep depression.
In her darkest moments, Stephanie learns to filter the world through her peculiar lens, discovering the uncommon, uncelebrated beauty in what she finds. Encouraged by her father through trips to museums and scavenger hunts at antiques shows, she traces an interconnected web of narratives about outsider figures and of objects historical and natural that ultimately helps her survive.A series of illustrated essays that unfolds in cinematic fashion, An Extraordinary Theory of Objects offers a universal lesson–to harness the power of creativity to cope with loneliness, sadness, and disappointment and find wonder in the uncertainty of the future.
Happy Mutant Baby Pills by Jerry Stahl
Lloyd has a particular set of skills. He writes the small print for prescription drugs, marital aids, and incontinence products. The clients present him with a list of possible side effects. His job is “to recite and minimize”–sometimes by just saying them really fast and other times by finding the language that can render them acceptable. The results are ingenious. The methods diabolical.
Lloyd has a habit, too. He cops smack during coffee breaks at his new job writing copy for Christian Swingles, an online dating service for the faithful. He finds a precarious balance between hackwork and heroin until he encounters Nora, a mysterious and troubled young woman, a Sylvia Plath with tattoos and implants, who asks for his help.
Lloyd falls swiftly in love, but Nora bestows her affections at a cost. Before Lloyd clears his head from the fog of romance, he finds himself complicit in Nora’s grand scheme to horrify the world and exact revenge on those who poison the populace in order to sell them the cure.
The Cute Girl Network by MK Reed, Greg Means, and Joe Flood
Jane’s new in town. When she wipes out on her skateboard right in front of Jack’s food cart, she finds herself agreeing to go on a date with him. Jane’s psyched that her love life is taking a turn for the friskier, but it turns out that Jack has a spotty romantic history, to put it mildly. Cue the Cute Girl Network — a phone tree information-pooling group of local single women. Poor Jane is about to learn every detail of Jack’s past misadventures… whether she wants to or not. Will love prevail?
In this graphic novel from Greg Means, Americus author MK Reed, and Joe Flood, the illustrator of Orcs, comes a fast, witty, and sweet romantic comedy that is actually funny, and actually romantic.
Everything Happens as It Does by Albena Stambolova
Albena Stambolova’s idiosyncratic debut novel,Everything Happens as It Does, builds from the idea that, as the title suggests, everything happens exactly the way it must. In this case, the seven characters of the novel—from Boris, a young boy who is only at peace when he’s around bees, to Philip and Maria and their twins—each play a specific role in the lives of the others, binding them all together into a strange, yet logical, knot. As characters are picked up, explored, and then swept aside, the novel’s beguiling structure becomes apparent, forcing the reader to pay attention to the patterns created by this accumulation of events and relationships. This is not a novel of reaching moral high ground; this is not a book about resolving relationships; this is a story whose mysteries are mysteries for a reason.
Gilgi by Irmgard Keun
Irmgard Keun’s first novel Gilgi was an overnight sensation upon its initial publication in Germany, selling thousands of copies, inspiring numerous imitators, and making Keun a household name—a reputation that was only heightened when, a few years later, the nervy Keun sued the Gestapo for blocking her royalties.
The story of a young woman trying to establish her independence in a society being overtaken by fascism, Gilgi was not only a brave story, but revolutionary in its depiction of women’s issues, at the same time that it was, simply, an absorbing and stirring tale of a dauntless spirit. Gilgi is a secretary in a hosiery firm, but she doesn’t intend to stay there for long: she’s disciplined and ambitious, taking language classes, saving up money to go abroad, and carefully avoiding both the pawing of her boss and any other prolonged romantic entanglements. But then she falls in love with Martin, a charming drifter, and leaves her job for domestic bliss—which turns out not to be all that blissful– and Gilgi finds herself pregnant and facing a number of moral dilemmas.
It was near impossible keeping this month’s roundup short. Lots of good stuff coming out in October. Hit the bookstores!
How to Read a Novelist by John Freeman
For the last fifteen years, whenever a novel was published, John Freeman was there to greet it. As a critic for more than two hundred newspapers worldwide, the onetime president of the National Book Critics Circle, and the current editor of Granta, he has reviewed thousands of books and interviewed scores of writers. In How to Read a Novelist, which pulls together his very best profiles (many of them new or completely rewritten for this volume) of the very best novelists of our time, he shares with us what he’s learned.
From such international stars as Doris Lessing, Haruki Murakami, Salman Rushdie, and Mo Yan, to established American lions such as Don DeLillo, Norman Mailer, Toni Morrison, Marilynne Robinson, Philip Roth, John Updike, and David Foster Wallace, to the new guard of Edwidge Danticat, Dave Eggers, Jonathan Franzen, and more, Freeman has talked to everyone.
What emerges is an instructive and illuminating, definitive yet still idiosyncratic guide to a diverse and lively literary culture: a vision of the novel as a varied yet vital contemporary form, a portrait of the novelist as a unique and profound figure in our fragmenting global culture, and a book that will be essential reading for every aspiring writer and engaged reader—a perfect companion (or gift!) for anyone who’s ever curled up with a novel and wanted to know a bit more about the person who made it possible.
Frequencies Volume 3
The latest installment of “Frequencies” follows Norman Mailer and George Plimpton to Vienna for a staged reading of “Zelda,” based on correspondence between Ernest Hemingway and the Fitzgeralds. D. Foy tracks krump, from street-art to reality television.Plus: Antonia Crane on being down-and-out in San Francisco, and a discussion between photographer Lynn Davis and husband, Rudolph Wurlitzer.
Marvel Comics: The Untold Story by Sean Howe
In the early 1960s, a struggling company called Marvel Comics presented a cast of brightly costumed characters distinguished by smart banter and compellingly human flaws: Spider-Man, the Fantastic Four, the Avengers, the X-Men. Over the course of half a century, Marvel’s epic universe would become the most elaborate fictional narrative in history and serve as a modern American mythology for millions of readers.
For the first time, Marvel Comics reveals the outsized personalities behind the scenes, including Martin Goodman, Stan Lee, Jack Kirby, and generations of editors, artists, and writers who struggled with commercial mandates, a fickle audience, and–over matters of credit and control–one another. Marvel Comics is a story of fertile imaginations, lifelong friendships, action-packed fistfights, and third-act betrayals–a narrative of one of the most extraordinary, beloved, and beleaguered pop-cultural entities in America’s history.
The Revolution of Every Day by Cari Luna
In the midnineties, New York’s Lower East Side contained a city within its shadows: a community of squatters who staked their claims on abandoned tenements and lived and worked within their own parameters, accountable to no one but each other. With gritty prose and vivid descriptions, Cari Luna’s debut novel, “The Revolution of Every Day,” imagines the lives of five squatters from that time. But almost more threatening than the city lawyers and the private developers trying to evict them are the rifts within their community. Amelia, taken in by Gerrit as a teen runaway seven years earlier, is now pregnant by his best friend, Steve. Anne, married to Steve, is questioning her commitment to the squatter lifestyle. Cat, a fading legend of the downtown scene and unwitting leader of one of the squats, succumbs to heroin. The misunderstandings and assumptions, the secrets and the dissolution of the hope that originally bound these five threaten to destroy their homes as surely as the city’s battering rams. “The Revolution of Every Day” shows readers a life that few people, including the New Yorkers who passed the squats every day, know about or understand.
What Are You Looking At?: The Surprising, Shocking, and Sometimes Strange Story of 150 Years of Modern Art by Will Gompertz
In the tradition of Eats, Shoots & Leaves, art history with a sense of humor
Every year, millions of museum and gallery visitors ponder the modern art on display and secretly ask themselves, “Is this art?” A former director at London’s Tate Gallery and now the BBC arts editor, Will Gompertz made it his mission to bring modern art’s exciting history alive for everyone, explaining why an unmade bed or a pickled shark can be art—and why a five-year-old couldn’t really do it.
Rich with extraordinary tales and anecdotes, What Are You Looking At? entertains as it arms readers with the knowledge to truly understand and enjoy what it is they’re looking at.
The Black Spider by Jeremias Gotthelf
It is a sunny summer Sunday in a remote Swiss village, and a christening is being celebrated at a lovely old farmhouse. One of the guests notes an anomaly in the fabric of the venerable edifice: a blackened post that has been carefully built into a trim new window frame. Thereby hangs a tale, one that, as the wise old grandfather who has lived all his life in the house proceeds to tell it, takes one chilling turn after another, while his audience listens in appalled silence. Featuring a cruelly overbearing lord of the manor and the oppressed villagers who must render him service, an irreverent young woman who will stop at nothing, a mysterious stranger with a red beard and a green hat, and, last but not least, the black spider, the tale is as riveting and appalling today as when Jeremias Gotthelf set it down more than a hundred years ago. The Black Spider can be seen as a parable of evil in the heart or of evil at large in society (Thomas Mann saw it as foretelling the advent of Nazism), or as a vision, anticipating H. P. Lovecraft, of cosmic horror. There’s no question, in any case, that it is unforgettably creepy.
The Dark by Sergio Chejfec
Opening with the presently shut-in narrator reminiscing about a past relationship with Delia, a young factory worker,The Dark employs Chejfec’s signature style with an emphasis on the geography and motion of the mind, to recount the time the narrator spent with this multifaceted, yet somewhat absent, woman. On their daily walks he becomes privy to the ways in which the working class functions; he studies and analyzes its structure and mindset, finding it incredibly organized, self-explanatory, and even beautiful. He repeatedly attempts to apply his “book” knowledge to explain what he sees and wants to understand of Delia’s existence, and though the difference between their social classes is initially a source of great intrigue—if not obsession—he must eventually learn that there comes a point where the boundary between observer and participant can dissolve with disarming speed.
The White Goddess: A Historical Grammar of Poetic Myth by Robert Graves
This labyrinthine and extraordinary book, first published more than sixty years ago, was the outcome of Robert Graves’s vast reading and curious research into strange territories of folklore, mythology, religion, and magic. Erudite and impassioned, it is a scholar-poet’s quest for the meaning of European myths, a polemic about the relations between man and woman, and also an intensely personal document in which Graves explores the sources of his own inspiration and, as he believed, all true poetry.
Incorporating all of Graves’s final revisions, his replies to two of the original reviewers, and an essay describing the months of illumination in which The White Goddess was written, this is the definitive edition of one of the most influential books of our time.
Leapfrog by Guillermo Rosales
Leapfrog depicts one summer in the life of a very poor young boy in post-revolutionary Havana in the late ’50s. He has superhero fantasies, hangs around with the neighborhood kids, smokes cigarettes, tells very lame jokes: “By the way, do you know who died? No. Someone who was alive. Laughter.” The kids fight, discuss the mysteries of religion and sex, and play games — such as leapfrog. So vivid and so very credible, Leapfrog reads as if Rosales had simply transcribed everything that he’d heard or said for this one moving and touching book about a lost childhood.
Leapfrog was a finalist for Cuba’s prestigious Casa de las Americas award in 1968. Years later, Rosales’s sister told The Miami Herald that Rosales felt he hadn’t won the prize because his book lacked sufficient leftist fervor, and that subtle critiques of cruel children and hypocritical adults throughout the playful recollections had clearly “rankled” state officials. In the end the novel never appeared in Cuba. It was first published in Spain in 1994, a year after Rosales’s death.
Here are a few new paperbacks to usher in the fall season, and some you might have missed in hardcover last year.
The Bradbury Chronicles: The Life of Ray Bradbury by Sam Weller
Accomplished journalist Sam Weller met the Ray Bradbury while writing a cover story for the Chicago Tribune Magazine and spent hundreds of hours interviewing Bradbury, his editors, family members, and longtime friends. With unprecedented access to private archives, he uncovered never–before–published letters, documents, and photographs that help tell the story of this literary genius and his remarkable creative journey. The result is a richly textured, detailed biography that illuminates the origins and accomplishments of Bradbury’s fascinating mind.
All We Know: Three Lives by Lisa Cohen
Esther Murphy was a brilliant New York intellectual who dazzled friends and strangers with an unstoppable flow of conversation. But she never finished the books she was contracted to write—a painful failure, and yet a kind of achievement.
The quintessential fan, Mercedes de Acosta had intimate friendships with the legendary actresses and dancers of the twentieth century. Her ephemeral legacy is the thousands of objects she collected to preserve the memory of those performers and to document her own feelings.
An icon of haute couture and an editor of British Vogue, Madge Garland held influential views on fashion that drew on her feminism, her ideas about modernity, and her love of women. Existing both vividly and invisibly at the center of culture, she—like Murphy and de Acosta—is now almost completely forgotten.
In All We Know, Lisa Cohen describes these women’s glamorous choices, complicated failures, and controversial personal lives with lyricism and empathy. At once a series of intimate portraits and a startling investigation into style, celebrity, sexuality, and the genre of biography itself, All We Know explores a hidden history of modernism and pays tribute to three compelling lives.
My Heart is an Idiot: Essays by Davy Rothbart
In My Heart Is an Idiot, Davy Rothbart is looking for love in all the wrong places. Constantly. He falls helplessly in love with pretty much every girl he meets—and rarely is the feeling reciprocated. Time after time, he hops in a car and tears halfway across America with his heart on his sleeve. He’s continually coming up with outrageous schemes and adventures, which he always manages to pull off. Well, almost always. But even when things don’t work out, Rothbart finds meaning and humor in every moment.
Whether it’s confronting a scammer who takes money from aspiring writers, sifting through a murder case that’s left a potentially innocent friend in prison, or waking up naked on a park bench in New York City, nothing and no one is off limits. And it’s all recounted in Davy’s singular, spirited literary voice, “an intriguing hybrid of timeless midwestern warmth and newfangled jive talk,” in the words of Sarah Vowell.
A Schoolboy’s Diary and Other Stories by Robert Walser, introduction by Ben Lerner, translated from the German by Damion Searls
A Schoolboy’s Diary brings together more than seventy of Robert Walser’s strange and wonderful stories, most never before available in English. Opening with a sequence from Walser’s first book, “Fritz Kocher’s Essays,” the complete classroom assignments of a fictional boy who has met a tragically early death, this selection ranges from sketches of uncomprehending editors, overly passionate readers, and dreamy artists to tales of devilish adultery, sexual encounters on a train, and Walser’s service in World War I. Throughout, Walser’s careening, confounding, delicious voice holds the reader transfixed.
High Tide by Inga Ābele
Told more or less in reverse chronological order, High Tide is the story of Ieva, her dead lover, her imprisoned husband, and the way their youthful decisions dramatically impacted the rest of their lives. Taking place over three decades, High Tide functions as a sort of psychological mystery, with the full scope of Ieva’s personal situation—and the relationship between the three main characters—only becoming clear at the end of the novel.
One of Latvia’s most notable young writers, Ābele is a fresh voice in European fiction—her prose is direct, evocative, and exceptionally beautiful. The combination of strikingly lush descriptive writing with the precision with which she depicts the minds of her characters elevates this novel from a simple story of a love triangle into a fascinating, philosophical, haunting book.
Sunday Night Movies by Leanne Shapton
Sunday Night Movies features Leanne Shapton’s watercolors of resonant moments in black-and-white cinema. Selecting a brief fragment of each chosen film, she creates an indelible image that is both a hand-painted movie still and a personal response to a fleeting celluloid moment.
Together, the seventy-eight paintings create a valentine to the world of cinema. Shapton’s journey through film history becomes a wistful celebration of the subtle moments in stories, which can often slip by unnoticed. What could be a simple title, still life, or portrait of an actor becomes both illusive and allusive through the medium of these personal paintings.
Shapton’s bestselling Petit Livre book The Native Trees of Canada took a decades-old government catalogue and reimagined it, employing bold colors and stark shapes to represent familiar trees in their majestic glory. The book was a sleeper hit and went through multiple printings. With Sunday Night Movies she brings her love of film to light, and the effect is restrained and fanciful, familiar and all new.
Every Love Story Is a Ghost Story: A Life of David Foster Wallace by D. T. Max
Since his untimely death by suicide at the age of forty-six in 2008, David Foster Wallace has become more than the representative writer of his literary generation—he has become a symbol of sincerity and honesty in an inauthentic age, a figure whose reputation and reach grow by the day. In this compulsively readable biography, D. T. Max charts Wallace’s tormented, anguished, and often triumphant battle to succeed as a novelist as he fights off depression and addiction to emerge with his masterpiece, Infinite Jest. Written with the cooperation of Wallace family members and friends and with access to hundreds of Wallace’s unpublished letters, manuscripts, and journals, this revelatory biography illuminates the unique connections between Wallace’s life and his fiction in a gripping and deeply moving narrative that will transfix readers.
Mira Corpora by Jeff Jackson
Literary and inventive, but also fast-paced and gripping, “Mira Corpora” charts the journey of a young runaway. A coming-of-age story for people who hate coming-of-age stories, featuring a colony of outcast children, teenage oracles, amusement parks haunted by gibbons, mysterious cassette tapes, and a reclusive underground rockstar.
With astounding precision, Jackson weaves a moving tale of discovery and self-preservation across a startling, vibrant landscape.
There’s a commonly held belief in the literary world that Americans do not like to read books in translation. So ingrained is this idea that many translators who I have heard speak publicly state that the translator’s name is often left off the cover, lest the public realize that what they have in their hands is not originally written in English.* Other countries do not seem to have this problem, most likely because they are not of the privileged whose language is the most widely spoken.
If the above is to be taken as true, that Americans do in fact have a bias against books not written in their native tongue, why is this? Do we feel we won’t be able to relate to the story? The characters? Do we feel removed from the author? Personally, I enjoy translated literature and, before understanding what it was, never gave it much thought–it took a friend in college to point out that I was not reading the original Tolstoy. Unfortunately, this leaves me unable to answer these questions; I can only pose them for others to think about.
What I would like to do, however, is highlight an excellent publisher championing this underdog of the literary world: Open Letter Books. Open Letter is a non-profit publishing house run out of Rochester University and funded in part by the National Endowment for the Arts and the New York State Council on the Arts.
Along with the publishing side, which releases 10 books a year–a mixture of contemporary fiction, nonfiction, poetry, and older titles, largely from Eastern Europe and Latin America–Open Letter runs the website Three Percent. The name comes from the percentage of books published in the US that are works in translation. In addition, they also host the annual Translated Book Award, which considers titles from both large and small publishers across the United States.
If that weren’t enough, Open Letter publisher Chad Post and Tom Roberge, Publicity and Marketing Director of New Directions, host a podcast where they discuss news of the day, mainly that which affects literature in translation, as well as books of note. Having faith in both their tastes, I often walk away with a few more books on my list.
Aside from publishing stellar books, Open Letter, to those familiar with them, are known for having some of the best covers in the business. Once you’ve seen a handful they become easily recognizable, both on display tables and on the shelf.
Open Letter has subscription service where you can pay for either 6 months or a year worth of books. During that time, a newly released title shows up on your doorstep every month. While you’re waiting for that first book to arrive, here are two I recommend.
Karaoke Culture by Dubravka Ugresic
Dubravka Ugresic’s 2011 essay collection Karaoke Culture was a National Book Critics Circle award finalist in criticism and the German edition won her the Jean Améry Award for Essay Writing. Not to be mistaken for a fan of karaoke, Ugresic explains that uses the term as an “awkward” metaphor.
“In the text that follows we’re interested in the human activities in which an anonymous participant, assisted by new technology, uses an existing cultural model to derive pleasure. … The models are most often drawn from popular culture (television, film, pop music, computer games), but some belong to what was one considered ‘high culture’ (film, literature, painting).”
While some of the essays touch on Eastern European politics, one does not need to be familiar with the history to appreciate what is being said; just as one does not need to be familiar with every band or sports figure Chuck Klosterman profiles, an appropriate comparison (I believe) if there is one.
Ugresic’s writing, regardless of topic, is entertaining, a combination of poignant observations of everyday objects to humorous asides: “For three things signified opulence in Yugoslavia: coffee, detergent, and cooking oil.”
In an interview with BOMB magazine, when asked about living through the war in (former) Yugoslavia, Ugresic said, “Everyday life around me changed and became threatening; when reality became morally and emotionally unacceptable, I spontaneously started to protest. At that time the genre of essay seemed to me the most appropriate literary form for expressing my thoughts, my anger and my despair.”
I highly recommend Karaoke Culture to any Klosterman fan who also wields a subscription to The Nation.
18% Gray by Zachary Karabashliev
In 18% Gray, Bulgarian-born novelist and playwright Zachary Karabashliev tells the story of Zack, a living, breathing casualty of a failed marriage. One night Zack leaves his southern California home for Tijuana and comes back with more than he bargained for. With nothing left to lose he takes off for New York City where he has a friend who might be able to help. As he heads east, his passion for photography is reignited and he captures the country’s landscape on film; much of the world he passes is considered through his lens.
18% Gray is a dark novel about regrets, mistakes, and things that can’t be undone.
Go ahead and prove conventional wisdom wrong, Americans do enjoy translated literature. They just need the right publisher to show them how.
*Disclaimer: Although I work in publishing I am not privy to cover design decisions. All information I have regarding translators’ names on books comes from panel discussions I’ve attended, all of which have been open to the public.