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Posts Tagged ‘tv

Week in the World: New music, new love, British TV, and more

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Here’s a roundup of what’s been occupying my time these past few weeks.

St. Vincent’s new album, eponymously named St. Vincent, is out this week. If you haven’t heard her music yet, think Bjork and Tori Amos and you’re pretty close. Studio 360 spoke with her and The Guardian is streaming the new album.

New York magazine spoke with television producer Lorne Michaels about Saturday Night Live, the comedians he’s launched, and the various shows that have come out of his legendary late night program.

NY Mag: Have you ever felt restricted by the standards of broadcast TV?
LM: No. I believe that there’s no creativity without boundaries. If you write a sonnet, it’s got to be fourteen lines. If you write one that’s nine lines, it’s not a sonnet. So we have to be clever. We’re in a medium that goes into people’s homes, and, very often now, people watch our show with their kids.

Marc Maron is now dating Moon Zappa, and appears to be very happy. He tells the story of how they got together in the monologue of this episode. It’s a great reason to go back and listen to his interview with Moon from October 2013.

Speaking of podcasts, I can’t believe it took me until the 123rd episode to start listening to Throwing Shade, an irreverent comedy show hosted by Erin Gibson and Bryan Safi. Together they take on the pop culture topics of the day with blatant disregard for political correctness. They are hilariously brilliant — and brilliantly hilarious. If you want to break out of the winter doldrums, put this on your iPod.

If you’ve finished watching House of Cards and are waiting for the second season of Orange is the New Black to start this summer, you should consider watching Shameless, a British TV show about a family (and their surrounding neighbors) who live in a public housing community. There are no connecting themes to either of the Netflix shows, except that all seasons are streaming and it’s awesome. The first season features James McAvoy if you need some incentive.

I just plowed through Will Self’s 2006 collection of essays, Junk Mail. Spanning much of the 90s, these nonfiction works are taken from places such as the Evening Standard, the Observer, the Independent, Esquire, GQ and the like. The opening piece, “New Crack City,” describes a crack den Self once knew and the second, “On Junky,” is an introduction to William S. Burroughs’ popular work of semi-autobiographical fiction. But it’s not all drugs in this one. Self also writes about his stay at a hotel made of ice, there’s a profile of Bret Easton Ellis, a thought piece on Morrissey, and interviews with artist Damien Hirst and author J.G. Ballard.

The other week, The New York Review of Books ran the short story To Kill a Child by Swedish writer Stig Dagerman. It’s eery and compelling and might just bring back those winter blues so have Throwing Shade handy after reading.

Written by Gabrielle

February 25, 2014 at 6:53 am

Podcast Roundup: Breaking Bad Farewell

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Breaking BadBreaking Bad, the show about a chemistry teacher turned meth kingpin, premiered in 2008 and had its series finale the other week. In the final episode there were flashbacks to the very beginning. For those who have been following in real time, it was probably a shock to see the evolution of Walter White, played by Bryan Cranston, laid bare. For those who haven’t seen the show yet, I’m jealous. It’s one of those shows you wish you could watch it for the first time over and over again. For those who have, here’s a roundup of great interviews with the cast, crew, and critics.

Stuff You Should Know: How Meth Works
In this episode, hosts Josh and Chuck discuss the culture and science of methamphetamine, from lingo to manufacturing of to biological side effects.

New Yorker Out Loud: Emily Nussbaum and Tad Friend Discuss “Breaking Bad”
The New Yorker’s TV critic Emily Nussbaum and staff writer Tad Friend discuss Walter White as an antihero and the overall nature of the show.

Nerdist Writer’s Panel: “Breaking Bad” Season Five in Review
“Breaking Bad” showrunner/creator Vince Gilligan and writers Peter Gould, Sam Catlin, George Mastras, Gennifer Hutchison, Thomas Schnauz, Moira Walley-Beckett and Gordon Smith talk about writing the show, how the fifth season unfolded, and their feelings about the finale.

Nerdist: Aaron Paul
Aaron Paul talks about how he got into acting, what it’s like playing Jesse on the show, and how it is to work alongside Bryan Cranston.

WTF with Marc Maron: Bryan Cranston
Bryan Cranston once wanted to be a policeman; he tells Marc Maron what made him change his mind and go into acting. He also talks about crafting Walter White’s persona.

By the Way, In Conversation with Jeff Garlin: Vince Gilligan
Vince talks about his career in TV, how “Breaking Bad” episodes come together, and how television differs from film today.

Fresh Air Bob Odenkirk
Bob Odenkirk, who plays the sleazy lawyer Saul Goodman, talks to Terry Gross about the basis for his character, what it’s like to play a humorous part in a dark drama, and his career as a comedy writer.

Fresh Air: Breaking Bad Writers
Breaking Bad writers Peter Gould and Thomas Schnauz talk about the final season.

Written by Gabrielle

October 15, 2013 at 6:50 am

TV on the Radio

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This post originally ran on Longreads, where I now contribute a monthly podcast roundup.

For a while now we’ve been hearing about the rise of television, how shows like Mad Men, Breaking Bad, and Game of Thrones have surpassed the film industry when people think of quality viewing experiences. Gone are the days where writers and actors dreamed of making it big in pictures, now talent is flocking to small screen.

Here are some recent interviews that will be of interest to those who like to dig deeper.

WBUR On Point: Is The U.S. Movie Industry Broken? 

Bling RingA recent panel discussion on WBUR’s On Point featured Lynda Obst, a film and television producer whose credits include “Sleepless in Seattle” and whose recent book, Sleepless in Hollywood: Tales from the New Abnormal in the Movie Business, chronicles the recent changes in the movie industry—big blockbusters becoming more common with smaller films barely being made. Alongside Obst, sometimes arguing, sometimes agreeing, was Sharon Waxman, CEO and EIC of TheWrap.com, a site that covers Hollywood and film industry.

KCRW The Treatment: Sofia Coppola 

Still making small films, however, is Sofia Coppola. This summer she’s back with The Bling Ring, a film based on the real life events of a group of California teenagers obsessed with celebrities; so much so that they break into stars’ homes. Sofia spoke with host Elvis Mitchell about making a true crime film and her filmmaking career so far.

Fresh Air: Elisabeth Moss

Elisabeth MossMad Men just wrapped up its sixth season and has one more to go before it’s off the air for good. Terry Gross spoke with Elisabeth Moss, better known as Peggy, about the evolution of her character, how she came to be an actress, and how much she knows about the show’s direction before shooting an episode.

The Nerdist: Charlie Hunnam

Charlie HunnamAnother excellent show currently on television is Sons of Anarchy, the story of a biker gang in California’s Central Valley, running drugs, guns, and their small town. “Jax” Teller, one of the heads of the club is played by Charlie Hunnam who, in real life, turns out to be British. In this interview with Chris Hardwick he talks about being approached by real bikers, his life growing up in a working-class town in North East England, and what it’s like to play a character for so many years.

The Nerdist Writer’s Panel: The Lizzie Bennet Diaries 

Lizzie BennetSomething that’s starting to get a lot of attention these days are web shows. One show that’s doing particularly well is The Lizzie Bennet Diaries, which, according the series’ site, “is a modernized adaptation of the classic Jane Austen novel, Pride and Prejudice” with the story told primarily through the lead character Lizzie Bennet‘s video diary entries.

Nerdist Writer’s Panel host Ben Blacker sat down with co-creator Bernie Su, writers Margaret Dunlap, Rachel Kiley, and Kate Rorick, and writer/transmedia guy Jay Bushman to talk about the impetus for the series and how it gets made.

Bonus: Orange is the New Black

Orange is the New BlackI’ve started watching the new Netflix series, Orange is the New Black, a show based on author Piper Kerman’s memoir by the same name which tells the story about the 15 months she spent in prison for a small part she played in a drug smuggling ring. Orange stars Terry Schilling as Piper; Jason Biggs as her fiancée; Laura Prepon of That 70s Show as Alex Vause, Piper’s ex-girlfriend who introduced her to smuggling; and Natasha Lyonne of Slums of Beverly Hills, But I’m a Cheerleader, and American Pie as the ex-junkie inmate who knows how to get along on the inside.

You can read an excerpt from Kerman’s book on Salon, an interview with her on The Los Angeles Times about having her book made into a show, and an interview from 2012 about the book on The Rumpus. Piper even learned a few tips that you can apply to your worklife and shared them with Fast Company. Then, check out the two books Natasha Lyonne believes capture prison life.

Written by Gabrielle

July 16, 2013 at 6:57 am

Week in the World: Podcasts Galore

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It’s been a big month in podcast world. Here are a few that have been especially amazing.

headphones

Judd Apatow sat down at Largo for Jeff Garlin’s incredible live show By the Way, in Conversation with Jeff Garlin. On WNYC, David Simon spoke with Alec Baldwin on his show Here’s the Thing. Aisha Tyler had a cold the other week and aired what was previously a premium episode, an interview with Henry Rollins.

Marc Maron’s doing the media rounds for his new book, Attempting Normal, and his show on IFC, Maron, and was just on the Nerdist to talk about both–among other things. In a more recent episode of The Nerdist, Billy Crystal was on the show to talk about his new movie Monsters University and also got around to discussing a few stories from his time in comedy. NPR’s comic critic Glen Weldon, who just wrote an unauthorized biography of Superman, was on the Nerdist Comics Panel to talk about the history of the superhero.

david simonHouse DJ and producer Felix da Housecat dropped by KCRW to discuss the origins of house music and how he became a DJ on Metropolis. The most recent episode of the show features an interview with the two brothers who make up Disclosure, an excellent British electronic act with a new album, which I can’t recommend enough.

Meanwhile, on the Los Angeles Review of Books’ podcast, host Colin Marshall talks with co-authors Jeff Weiss and Evan McGarvey about their book 2pac vs. Biggie: An Illustrated History of Rap’s Greatest Battle, a must-listen for hip hop fans. Also not to be missed, WBEZ’s Sound Opinions explored Johnny Cash’s legendary live album, Live from Folsom Prison.

henry rollins

Late Night Library, an excellent podcast that interviews publishing industry professionals, spoke with fellow podcaster Ed Champion and, before that, literary agent Laura Liss. Speaking of Ed Champion, he sat down with Claire Messud for her latest novel, The Woman Upstairs.

One of my new favorite podcasts hosted by Joyland Magazine spoke with the incredible writer and critic Roxane Gay. And on a long-time staple, Other People, Brad Listi spoke with Maggie Nelson, author of Bluets, a book I loved.

Lexicon Valley, Slate’s language show, is back after a brief hiatus and the first episode is on the odd phrase, “Yeah, no …”. I’ve been warning everyone, after you listen to it, you’re going to hear everyone saying it. And finally, great news, Book Riot’s Rebecca Schinsky and Jeff O’Neal are now co-hosting a bookish podcast that is more than worth a listen. For talk on new releases and book news, subscribe to this one today.

What are you listening to?

[Illustration via]

Written by Gabrielle

June 25, 2013 at 6:54 am

What to Listen to: Jeff Garlin and Friends

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By the WayThe mark of a great comedy podcast is having to give this caveat: if you aren’t comfortable laughing to yourself in public, best to listen to this one at home alone. Every one of the now seven episodes of By the Way, In Conversation with Jeff Garlin has made me laugh out loud, often with an uncontrollable sputter. Not only that, I grin nearly the whole way through, which, I might add, makes me appear friendly during rush hour, a threat to my tough New Yorker exterior.

Actor, comedian, producer Jeff Garlin, known best to me for his role as Larry David’s manager and friend in Curb Your Enthusiasm, hosts a conversation with fellow talented entertainment industry creatives in front of a live audience at Largo in Los Angeles.

The run time is about an hour and a half, with J.J. Abrams clocking in at an hour and fifty, but however long the show, it never gets tedious. Garlin is one of the rare hosts who can keep you engaged and entertained long past the standard 45 minutes.

Jeff Garlin and Lena Dunham

Whether Garlin has had the good fortune of sitting down with people who enjoy his company, or if he’s just that good at putting people at ease, every conversation has been comfortable and paved the way for mutual openness. In the first episode, Garlin draws out Larry David’s quirks, of which there are many—one being his dislike of listening to music for its own sake. In episode two, he and Lena Dunham discuss the hell that is awards shows—unless, as was the case with Dunham, you have your quick-witted mom in tow. Parenting, and family life in general, is a common topic: both J.J. Abrams and Will Ferrell like to make their kids breakfast and see them off to school. Farrell volunteers at his son’s soccer games and J.J. makes up stories at bedtime.

Even if Garlin didn’t have great timing and a knack for getting stories out of his guests, his laugh, boisterous and infectious, would be enough to get your smile going. The only downside of By the Way is its lack of an archive, having just begun in January of this year. However, if you get in on it now, you’ll be one of the lucky ones with bragging rights, able to say you were listening to it back when, because, with a bit of luck and more excellent guests, this show will be around for a very long time.

::[Links]::
By the Way, In Conversation with Jeff Garlin

Written by Gabrielle

April 9, 2013 at 6:49 am

Week in the World: Lindsay Lohan Takes the Cake Edition

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Lindsay Lohan.Jeff Minton for The New York TimesThis roundup’s strongest piece of journalism goes to Stephen Rodrick, contributing writer at the New York Times Magazine and contributing editor at Men’s Journal, for his piece Times, “Here is What Happens When You Cast Lindsay Lohan in Your Movie.”

Rodrick was given full access to the filming of Lindsay Lohan’s forthcoming low budget, Kickstarter-funded film, “The Canyons,” directed by Paul Schrader and written by Bret Easton Ellis. It reads as a fair piece, which, with Lohan as a subject, is a feat all on its own. What makes it so incredible, however, is that the writing is fantastic. It truly is a lesson in feature writing, to be printed, studied, and saved.

A bit of background:

Schrader wrote “Raging Bull” and “Taxi Driver” and has directed 17 films. Still, some fear Lohan will end him. There have been house arrests, car crashes and ingested white powders. His own daughter begs him not to use her. A casting-director friend stops their conversation whenever he mentions her name. And then there’s the film’s explicit subject matter. Full nudity and lots of sex. Definitely NC-17. His wife, the actress Mary Beth Hurt, didn’t even finish the script, dismissing it as pornography after 50 pages.

Dunham and Apatow.credit Art Streiber

Noir-like description of Lohan:

“She was quite pale, her skin not on speaking terms with daylight.”

This article had been so popular with #longreads fans that they begged for an interview with Rodrick on their Longform Podcast. Rodrick discusses how the assignment came about, the access he had, and how writing stories for The New York Times works.

Another great interview in Longform’s growing archive is with Charles Duhugg, New York Times reporter and author of The Power of Habit. Here he talks about journalism, best practices for writing (and life), and (again) how The New York Times works.

On his approach to interviewing for a job, which can be applied to many other things:

You want to be surprising. People love surprises. That is how we stay interested.

Marley

On using edited material for “bonus features”:

The stuff that gets cut out gets cut out for a reason. The discipline of space is always a good discipline. If it deserves to be read, it shouldn’t be on the cutting room floor… If it ends up on the cutting room floor, there’s usually a reason why.

Parul Sehgal, Editor at the New York Times Book Review, former Books Editor at NPR, explores three essay collections in an essay of her own.

Invented in France by Michel de Montaigne, the 16th century’s great oversharer; perfected in England by Samuel Johnson and William Hazlitt; the essay found America very agreeable: “The United States itself — and even its name, according to some sources — is partly the outcome of the essayistic brilliance of the radical English artisan Thomas Paine,” Christopher Hitchens, one of its finest modern practitioners, wrote.

The Millions ran an argument in favor of reading fewer books in 2013:

This past year I read 56 books. That’s slightly off the pace of 60 books a year that I’ve set over the previous 12 years, but then I did read a lot of very long history books this year — yes, I’m looking at you, Robert Caro – and my wife and I did make a very time-consuming move to Canada late in the year. Or at least that’s what I’m telling myself. Maybe the real answer is that I’m just getting tired of trying to read so damn many books.

Seth Green

Podcast host extraordinaire Colin Marshall sat down with Los Angeles Review of Books founder and editor-in-chief, Tom Lutz. They talk about the LA literary scene, book reviewing, and what it’s been like running the Review. You can catch Colin Marshall regularly as host of Notebook on Cities and Culture, “a twice-weekly long-form conversation with cultural creators, internationalists, and observers of the urban scene around Los Angeles, San Francisco, Portland, Osaka, Kyoto, and beyond.”

Lena Dunham and Judd Apatow had this totally adorable–and insightful–conversation via Skype (transcribed for print) about how they collaborate. It sounds like a very healthy relationship.

Apatow: You know, the show is run differently from other shows because we’re trying to really filter everything through you. My goal is to have you do as much work as possible without getting killed. So part of what I’m trying to do is pace you so you don’t collapse. For me, a lot of the work is just having a very fresh brain and set of eyes to read things and look for where there are holes or trouble and then trying to help fix that.

Dunham: I feel like you’re constantly monitoring my brainpower and body power, even when I’m not able to tell what I’m feeling.

And Lena Dunham was on Here’s the Thing with Alec Baldwin. Incredible conversation.

The Bob Marley documentary “Marley,” now streaming on Netflix, is beyond amazing. I hope to have a proper writeup in the near future but, in the meantime, watch it. Seriously.

always, Susan Morris has some great advice for writers. Here she has 10 exercises to help hone your craft and Seth Green’s interview with Marc Maron was a good one.

Written by Gabrielle

January 22, 2013 at 6:51 am

Week in the World: Excellent Journalism Edition

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I don’t believe this is a new phenomenon but I’ve noticed an overwhelming amount of quality journalism on the Internet lately. Here are a few pieces that made me think about creative nonfiction, links to more straightforward writing articles, and, of course, television shows and podcasts for when you’re done reading.

CREATIVE NONFICTION
The Food That Ate Manhattan: The Implacable Rise of Frozen Yogurt Leaves Us Cold by Kim Velsey for The New York Observer
Frozen YogurtAnyone who knows me knows about my terrible frozen yogurt habit. I’ve memorized the locations of all the self-serve places below 14th street. I know the Tasti-d-Lites that surround the stores and coffee shops I frequent. I couldn’t go a day without it, or at least not easily. So, when I came across this fantastic article on the rise of frozen yogurt, specifically in New York City, and read its mocking, horrified tone, I was enthralled and wanted to share with everyone I knew.

It was not until one day in Union Square that I realized, in a moment of disquieting clarity, that frozen yogurt shops were everywhere. A Joyride frozen yogurt truck idled by the park, Diet Lite Ice Cream was visible just down 17th Street, and a Yelp search revealed that a Pinkberry, a Tasti D-Lite, a Red Mango, a 16 Handles, a Yoqua Bar and a Yogurberry were all within a five to 10 minute walk. None of which were deemed satisfactory by the friend at my side, who urged us on toward Flavaboom on Sixth Avenue, where one could get the nonfat flavors twisted together and heaped with cheesecake bites and cookie dough.

Nearly skipping with anticipation, she raved about frozen yogurt the whole way there. It was alarming. How could she be so into frozen yogurt? I wondered. How could anyone?

Saying Goodbye to Now by Thomas Beller for the New Yorker’s Culture Desk
CameraThomas Beller is an excellent observer. In this essay he looks at the difference between memories and photographs. At one point he asks, “Are [these memories] any more vivid to me because there are no photographs? Conversely, would photographing have taken me away and made it all less sharp in my mind?” But first he begins:

My daughter was now airborne. A flying monkey coming right at me, headfirst: straw-yellow hair, a blue skirt, blue spaghetti-strap shirt, apple cheeks, and lips garishly smudged with pink lip gloss within which is the whiteness of her bared teeth—

Stop! Right here, let’s freeze the frame. Here is an image that I will never see again, except in my memory. A girl in mid-flight, waves of green behind her, her face all bright with the colors —blue, pink, yellow, white—of joy and delight, and behind her, as though it was the place from which she had fled, an old, dignified mansion.

Right then, as she was airborne, my hand twitched and slapped my pocket, in the dim hope that I could locate my camera, pull it out, and shoot while the moment still held. But there was no camera, and anyway there was no time. I will never forget this image, though I may already be embellishing it. And you will never see it. You may picture it, but the picture itself was not taken. I had to fight off a sadness about this, because the moment, after all, was happening, and it was beautiful, and anything that detracted from my perception of that was a shame.

Deconstructed—Chris Ware’s Innovation by Steve Almond for The New Republic
Steve Almond is one of my favorite contemporary writers. I particularly like his nonfiction and usually find that his essays double as a writing lesson. In this review of Chris Ware’s epic graphic art experiment, Building Stories, Almond teaches us how to write about things of which we have no authority:

Let’s start with my qualifications as a critic of graphic novels: Putting aside an adolescent excursion into a stoner comic strip called the Fabulous Furry Freak Brothers, I have none. Worse yet, I tend to associate graphic novels with the regressive and haughty wing of hipsterism, the one that favors mope rock and off-brand beers. I guess what I’m getting at here is that I’m a nitwit.

There is no greater evidence of my nitwittedness (currently) than my initial reaction to the new release by the graphic novelist Chris Ware, who I have come to understand is something of a big deal in his field.

While this is totally hilarious, it is also getting at a problem that deserves attention–how do you write about something you haven’t got the slightest clue about? How do you look at a text, a work of art, a film, or listen to a piece of music and judge it, deconstruct it, and put to paper your thoughts and observations without context? Steve Almond breaks the taboo, touts his ignorance, and, inadvertently, champions the amateur.

Four hours with John McAfee by Adam Thomson for The Financial Times
McafeeThis profile of John McAfee, a tech tycoon who went on the lam after his neighbor was murdered, is a story that got really weird, really fast. The first reporting I’d read was in the Financial Times when one of their correspondents met up with him in Belize to write a profile:

There was nothing serene or tranquil about McAfee. As soon as he closed the front door, he ditched the limp and the crippled arm. Then, hands trembling, he reached for one of several cigarette packets lying on the table.”

His distress, and that of Samantha, his feisty 20-year-old Belizean girlfriend – during the interview, she accused me of being scared: “I’m young and smaller than you and I’ve got more balls” – was more than understandable given the saga that their lives had become over the previous few weeks.

Apparently, VICE magazine was there as well and gave away McAfee’s location through an iPhone photo embedded with GPS coordinates. Something McAfee is now suing them for. However, as The New York Times Decoder blog reports:

Within 36 hours, he began an aggressive campaign to court and spin coverage of his story. … Mr. McAfee seemed to understand the dynamics of journalism well enough to know which assertions reporters would pass along without double-checking or qualifying — like his claim that he had eluded the police by burying himself in sand and positioning a box over his head — even as his self-created narrative veered ever further into the surreal.

WRITING and PUBLISHING
How to Write a Book Review from Daily Writing Tips
Why Netflix Makes You a Better Writer on LitReactor
Five Dos and Don’ts for Picking an Editor by Susan J. Morris for Omnivoracious
Should You Spend Money On Publicity & Marketing? by Randy Susan Meyers for Beyond the Margins

TELEVISION and PODCASTS
GirlsFor those of you who don’t have cable, Lena Dunham’s show Girls is now available on DVD. While you’re at it, co-producer Judd Apatow’s show Freaks and Geeks (1999) is streaming on Netflix. And for his latest film, ‘This is 40,’ Apatow has been doing some interviews: The Nerdist with Chris Hardwick and Bullseye with Jesse Thorn.

Now that everyone’s caught up on Mad Men Season 5, you can listen to The Nerdist Writer’s Panel’s “Mad Men season five in review” episode with Creator and showrunner Matthew Weiner, showrunners Andre and Maria Jacquemetton, and writer Erin Levy.

Judd Apatow

Alec Baldwin spoke with Lapham’s Quarterly founder, Lewis Lapham, for his show, Here’s the Thing. Lapham has an excellent gravelly voice that makes his stories and wisdom even better, if that were possible. You can also read an interview Lewis recently conducted with Smithsonian Magazine that I meant to share last week.

To the Best of Our Knowledge spoke with autistic savant Daniel Tammet and it was mesmerizing. Daniel is one of the few people with autism who can express his thought process and explain what he experiences. To hear him tell the interviewer how he thinks was astounding.

Images: Frozen Yogurt Charms; Camera; John McAfee

Written by Gabrielle

December 18, 2012 at 6:50 am

Week in the World: Grimm’s Fairy Tales, Hallucinations, and Espionage

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Here are just a few things I’ve consumed these past few weeks that deserve some sharing.

Podcasts
Hansel and Gretel by Arthur Rackham 1909For all you publishing junkies, Rob Spillman, editor of Tin House magazine and editorial advisor of Tin House Books, talks to Late Night Library about the book industry. For those of you who like fairy tales, WBUR’s mid-morning program, On Point, spoke with author Maria Tatar about the Brothers Grimm and Philip Pullman spoke with NPR’s Weekend Edition about his book, Fairy Tales from the Brothers Grimm, which retells the classic stories.

For something completely different, Oliver Sacks spoke with NPR’s Fresh Air about his history with hallucinogenics. And, once again The Nerdist came through with their incredible interview with veteran broadcast journalist Larry King. If you’re interested in interviewing, King shares some tips on how to get people to open up. This is a must-listen.

Essays
A few weeks ago when I tweeted Joe Queenan’s Wall Street Journal essay, which turned out to be an excerpt from his new book, One for the Books, my bit.ly count went skyhigh. The short sentence I used, “A case can be made that people who read a preposterous number of books are not playing with a full deck,” must have struck a nerve with those who follow my feed. I know it did with me. Since reading this fantastically funny piece I’ve finished Joe’s book. As a review is forthcoming I will not go too much into it. What I can say is that it was hilarious the whole way through.

Another great essay was Ian Sansom’s piece in The Guardian about paper. He, too, has a new book out (in the UK), called Paper: An Elegy. In his article he calls for the creation of a “National Paper Museum.” Sansom, as one would imagine, produces an ode to paper but instead of getting caught up in his own feelings on the matter, he digs into history to show readers how important paper was in the past and how it still endures today. At one point he goes so far as to call paper “our second skin.”

Meanwhile, over at The Millions, staff writer Sonya Chung talks about her own conflicted feelings about digital life.

Television
Having just finished Season 4 of Sons of Anarchy, now streaming on Netflix, I started a new show, Person of Interest, now in its second season. For fans of espionage films and police procedurals, Person of Interest is worth checking out. The show follows an ex-CIA officer, played by Jim Caviezel, and his billionaire buddy, played by Michael Emerson of “Lost,” as they try to save the lives of people who are names by a secret surveillance system. Although a tad bit cheesy, any minor flaws the show might have are erased by the endearing characters and intriguing storyline.

Written by Gabrielle

November 15, 2012 at 6:52 am

Week in the World: Publishing in Your Ears, Book Groups on TV, and Reading Journals

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While I do have a few book reviews lined up–including one about dark fantasy short story collections I think you should read–I’ve come across so many awesome non-book things in the past week or so that I needed to put those on the backburner in order to share some other great stuff with you.

Podcasts
Anyone interested in publishing should get ready for this lineup. There were three great podcasts these past few weeks that go behind the scenes of the industry.

The online literary community Litopia interviewed Faber and Faber chief executive Stephen Page for their Naked Book podcast, a show devoted to “ripping the covers off print books and finding out what lies beneath.” It was a candid, informed conversation about print and digital publishing. Well worth saving after you’ve listened the first time.

On Other People, Brad Listi spoke with Steven Gillis, co-founder of the indie press Dzanc Books–who also has a new book out. Listening to Steven’s daily routine was awe-inspiring–and envy-inducing. The following week, he spoke with Paris Review editor Lorin Stein, who was once a book editor at Farrar, Straus and Giroux. The two talk about work/life balance, literary publishing, and digital publishing. [Disclaimer: I’m the publicist working on The Paris Review book and set up the interview but it was so awesome I couldn’t help but share.]

You may have heard about Longreads, a site that finds the best of long-form stories on the Internet. Well, they now have a podcast called the Longform Podcast. Their interviews with The Atlantic’s Ta-Nehisi Coates and author and journalist Gideon Lewis-Kraus are good places to start.

The Nerdist was on a roll with their interviews with actors Joseph Gordon-Levitt and Tom Hanks (interviewed separately, in case that’s not clear). I’m a huge fan of Gordon-Levitt’s not only because I think he’s talented at what he does but also because he always sounds so appreciative and gracious. This interview was no exception. Hanks as well, a huge talent and a guy who seems like he’s happy to be doing what he does, was hilarious. If you only listen for his impressions of foreign fans, it’ll be worth it. And, while we’re talking about The Nerdist, co-host Jonah Ray was on WTF with Marc Maron. It was great.

Music
I picked up the new Kid Koala album, 12 Bit Blues, the other week in preparation of seeing him in November. I’m a longtime fan of the koala. His jazz and blues-meets-turntablism blows my mind and always look forward to what he’s up to. You should check out the official video for 8 Bit Blues on YouTube. It was excellent to hear him on NPR’s Weekend Edition.

Television
While I wait for season 4 of Sons of Anarchy to free up on Netflix, and for Mad Men season 5 to release, I’ve been watching Grimm, the NBC show based on the Brothers Grimm fairy tales. It’s pretty good–creepy but not hard to watch at night, good characters, and an interesting storyline. The main character, Nick, a cop, turns out to be of the Grimm lineage and able to see the creatures that lie beneath seemingly average people. With his abilities, a unknowing partner on the force, and a reformed “Blutbad,” he solves crimes from week to week.

Also something worth watching, which is streaming on Netflix, is the Woody Allen documentary that came out in 2011. In the film, Allen remembers back to his childhood to tell how he came to filmmaking. He brings the camera crew on the tour of his old neighborhood and they interview the many people who played a part in his personal and professional life. Even if you haven’t seen all his films, this was a nice, intimate look at a great artist.

What I’ve been raving about however, is this quirky, little British television show that I came across serendipitously on Netflix, The Book Group, also streaming. An American girl, new to Scotland and looking for friends, forms a book group with a bunch of locals she’s never met. I fell in love with this show almost immediately and blew through the entire two seasons in a little over a week. If you like books, you should watch it immediately. You can thank me later.

Writing
Every Monday I look forward to Susan Moriss’s column, ‘Writers Don’t Cry’ on the website Omnivoracious. Every week Morris offers invaluable thoughts and tips on fiction writing. While I don’t write fiction myself, her column is so much fun to read I keep returning. This past week’s topic, keeping a “reading journal,” was so amazing, I printed it out, underlined choice sentences, and plan to take her advice.

As a blogger, predominantly of book reviews and essays based on the books I’ve read, finding a balance between reading and writing can be hard. “Should I read this morning or should I write?” is often a question I ask myself. Poignantly, Morris opens her column with “reading is not procrastinating,” an answer geared more toward fiction writers who don’t necessarily need to read books to work on their own stories. However, Morris–along with many other authors who often offer advice–begs to differ.

Reading, Morris says, “is an important part of maintaining and honing your skills, staying inspired, and keeping in touch with why you write.” She continues with a practical application which, honestly, sounds like a whole lot of fun:

To take the best advantage of your reading for your writing, I recommend keeping a reading journal. In it, you can keep track of what you like, play with particular paragraphs to figure out how they work, and experiment with the styles and ideas you read about to improve your own writing.

I won’t spoil the article for you, you really need to read it for yourself … and then, Mondays, set your calendar.

Written by Gabrielle

October 16, 2012 at 6:58 am

Book and Pop Culture Podcast Roundup

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For all my fellow podcast junkies, or those who don’t know where to start, I highly recommend these shows that recently graced my ears. In no particular order, other than my memory:

Other People podcast with Brad Listi: Karl Taro Greenfeld
Karl Taro Greenfeld is the author of, most recently, Triburbia, a debut novel that follows his career in journalism and his previous memoir about his autistic brother. In this interview with Brad Listi, Greenfeld talks about his career in magazines, the trouble with memory and how it translates on the page, and levels of fabrication in works of nonfiction. After you’ve listened, you can read his Q&A with the Daily Beast.

Girl on Guy with Aisha Tyler: RuPaul’s drag race, drag u, supermodel of the world
Aisha Tyler’s near-2-hour interview podcast is quickly becoming a favorite of mine. Not only is she funny in this adorably nerdy way, she knows how to have a conversation. In a recent episode Tyler sat down with the legendary RuPaul, best known as the drag queen made famous by the 1993 song “Supermodel (You Better Work)”.

In the interview Ru talks about his beginnings in California, moving to Atlanta, coming to New York City and making a name for himself in the club scene, first dressing in “punk drag” (think David Bowie), then “black hooker drag,” and finally moving on to the upscale diva he is today.

Listen to RuPaul as you’ve probably never heard him before then let Slate’s June Thomas help you decide if you should watch RuPaul’s reality show, Drag Race.

Nerdist Writer’s Panel: TV Fantasy Goes Mainstream
Live from the ATX Television Festival, Nerdist Writer’s Panel host, Ben Blacker, moderates a panel discussion with Jeff Davis (creator, Teen Wolf and Criminal Minds); Jane Espenson (Once Upon a Time; Husbands; BSG; Buffy); Richard Hatem (creator, Miracles; Grimm); Jose Molina (Firefly; Terra Nova; Vampire Diaries); Ben Edlund (creator, The Tick; Firefly; Supernatural).

A show geared towards those looking to get into the television industry on the creative side, although highly enjoyable for all who love the inner workings of the entertainment industry, this all-star lineup discusses how they’ve pitched shows, mistakes they’ve made, and the climate for fantasy in television today.

Bookrageous: Stream of Consciousness Edition
For all of you unfamiliar with Bookrageous, this is one of the best book podcasts out there. I’ve said it before and I’ll keep saying it simply because I think everyone should listen to it. Twice a month friends Jenn, a bookseller in Brooklyn, Rebecca, a book blogger in Virginia, and Josh, a blogger and bookseller in Maine, get together by Skype and talk about books. They start with what they’re reading—because all three have access to advance copies from the publisher, every so often a title to yet available sneaks in, which is good for other bloggers or readers who like to know about books early—and next they move on a topic for discussion.

Topics in the recent past have included essay collections, funny books, and the books they’d bring with them to a desert island.

For their most recent episode they came up with topics on the fly and it was just as enjoyable as their planned shows. Listen to what they have to say about parody books, books they haven’t read yet but wish they had, and “high fantasy” recommendations to the group from science fiction and fantasy expert Jenn.

Book Based Banter: Book Groups, Top Summer Reads, and Are You Literary Enough?
Another excellent book podcast. In this episode Gavin and Simon discuss book groups. They mention one in particular that instead of picking a specific book they choose a topic and everyone in the group reads a book within that theme. For example, Paris or a circus. I thought that was a great idea. They also ask themselves, and their listeners, what it means to be “literary”. What is a literary book? If you like to think about books, definitely listen to this one.

NPR’s Pop Culture Happy Hour: On Fall TV And Whether Criticism Is Too Nice
The Pop Culture Happy Hour is always fantastic but this week they discuss the recent article that ran in Slate about Twitter ruining literary criticism. This roundtable of three pop culture critics have some interesting things to say on the topic, but first Linda Holmes talks about upcoming television shows and after they all rave about “what’s making [them] happy this week”. Great show, you should subscribe now so you don’t miss an episode.

SF Signal: Steampunk Roundtable
If you like science fiction, and steampunk in particular, you won’t want to miss this round table discussion with authors, reviewers, and editors Cherie Priest, Jay Lake, Gail Carriger, Paul Di Fillipo, Phillipa Ballantine and Tee Morris. Listen to them hash out a definition, talk about the history of the movement, and discuss books within the genre.

Bookworm: Sheila Heti
Interview Editor for The Believer magazine, novelist, and Canadian Sheila Heti sat down in Los Angeles with Michael Silverblatt to discuss her latest novel, How Should a Person Be?. What transpires is a great conversation about writing fiction from real life.

Sound Opinions: Jack White
Even if you’ve never heard one chord of Jack White’s music from his now defunct band The White Stripes, you will still want to listen to this incredible interview with the talented and bright musician. Throughout this oral history of White’s life getting into and being in the business are clips of his songs. Heading up one of the best shows about music on the air, Sound Opinions’ hosts Jim and Greg are perfect for getting White to open up about the things that matter—music, music, and music. Check out this gossip-free interview with an incredible musician.

Written by Gabrielle

August 16, 2012 at 6:57 am

What to Watch: Louis C.K.

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Comedy Central’s “The Daily Show,” hosted by Jon Stewart since 1999, and Stephen Colbert’s “The Colbert Report,” created in 2005, helped launch a revitalization of comedic television. Colbert, who got his start on “The Daily Show,” had come from the world of improv, and Stewart, who had been in stand-up, brought with him fellow comics Demetri Martin, Wyatt Cenac, and Samantha Bee to work as writers and correspondents.

FOX’s wildly popular show “Arrested Development”, whose cast included stand-up comedian David Cross, welcomed reoccurring characters played by the late Patrice Oneal and featured cameos by Bob Odenkirk and Andy Dick. Two years later, premiering on NBC in 2005, the US remake of “The Office,” was first created in the UK by comedian Ricky Gervais, and starred, until recently, Steve Carell. The show has enjoyed seven highly-acclaimed seasons and is now gearing up for its eighth.

Another sitcom bringing a few million weekly viewers a week to NBC is “Parks and Recreation” starring three actors from the stand-up and sketch comedy world: Amy Poehler, Aziz Ansari, and Aubrey Plaza. While the fate of NBC’s “Community”—a clever show set on the campus of a community college starring stand-up comics Joel McHale and Donald Glover, The Daily Show’s John Oliver, and legendary comedian Chevy Chase—hangs in the balance, it enjoys a following of hardcore fans willing to stage a flash mob outside of 30 Rock in protest of its possible cancellation.

Loyal audiences and rave reviews for these programs shows an appetite for smart, offbeat humor. These successes, it could be argued, have had an unintended side effect: they’ve paved the way for a wider appreciation of television comedy’s often darker, raunchier cousin: the stand-up show. This is how one might account for the rising popularity of once-underground comic Louis C.K.

For those looking for something harder than PG-13, there’s “Louie,” C.K.’s part-live show, part-sketch sitcom on FX. Written, directed, edited, and produced by C.K., Louie stars the comedian as himself making his way through everyday life—uncomfortably and usually without grace.

The show begins with a few minutes of C.K.’s stand-up act, with him at the Comedy Cellar in the West Village or Caroline’s in the Theater District, followed by a scripted sketch, a hyperbolization of his life as a somewhat-depressed, out of shape, divorced father of two girls.

Louis’s comedy tends to focus on two topics: sex and parenting. While you might not think admittances to thoughts of sexual deviance—often involving errant bodily fluids—would be endearing, C.K.’s self-deprecation and amused smirk gives him a certain charm.

Switching effortlessly between debauchery and fatherhood, and without creepy segues, C.K. says what’s on the mind of every parent: your own kids are boring and you hate other people’s. But his love for his two young daughters is obvious and his bits come off like a roast without the guest of honor’s presence.

Recently, C.K.’s been in the spotlight for the non-traditional release of his one-hour special, “Live at the Beacon Theater”. In an age where self-publishing and other independent ventures are lauded with the volume cranked way up, the reception for Louis has been especially loud.

Bypassing traditional television outlets, making the show available DRM-free on his website for five dollars, C.K. is currently the poster boy for DIY film production. At the time of my writing, the small fee allows you to stream the special twice on your browser and download it three times, which you can then watch as much as you want on any device and burn it to a DVD.

Louis is an ideal guinea pigs for this sort of digital distribution experiment. The success of his TV show meant he had the start-up money, a fan base, and name recognition. Unlike many artists trying to earn a living from such projects, Louis thought that if he could just break even, it would be worth it.

From years of doing stand-up and writing for such shows as “The Late Show with David Letterman,” “Late Night with Conan O’Brien,” “The Dana Carvey Show,” and “The Chris Rock Show,” he had the support, and admiration, from peers and could rely on a certain amount of promotional airtime. A few days after the release he was on “Late Night with Jimmy Fallon” and, as a favorite of Terry Gross, he was on the national radio program “Fresh Air”.

The release was also well-timed, intentionally so or a stroke of luck I don’t know. This year, “Louie,” now in its second season, made it onto various year-end top ten of 2011 television lists, including New York magazine’s, Entertainment Weekly’s, and NPR Fresh Air’s television critic’s. This top tier publicity along with the media’s coverage of his chosen business model, created a momentum that surprised the comic himself.

After just 10 days the show grossed one million dollars. Having grown up poor, C.K. didn’t feel comfortable having that much money so he broke it up into pieces. First he recouped on the film, putting the money back into his company, next he gave bonuses to all the people who work for him, and finally he donated $280,000 to various charities for women, children, and humanitarian relief.

Riffing off the opening for the FX show, the beginning of “Live at the Beacon Theater” shows Louis in his signature black t-shirt, jeans, and sneakers walking through the streets of Manhattan. This time it’s towards the Upper West Side venue. He shows up alone, wades through the crowd of fans waiting outside, and heads up to the green room. It’s this lack of pomp and circumstance that adds to his likeability.

“Live at the Beacon Theater” is C.K.’s best stand-up yet. From the moment he steps on stage to introduce himself, telling the audience to take their seats and the technicians to kill the house lights, the crowd is roaring. He adds, “don’t text or Twitter during the show, just live your life,” which, of course, gets another round of applause.

As one can imagine, if you’ve ever heard his stand-up, the hour-long routine is full of inappropriate humor, largely about masturbation, but, as Slate’s David Haglund points out in his review, there’s more political commentary in his act as well, including a bit on global warming where Louis, imagining himself as God, asks what we did to the polar bears.

With “Live at the Beacon Theater,” not only has C.K. proven himself a gifted entertainer, he’s shown himself to be an astute businessman. The entire project is brilliant and being a small part of it was well worth the five dollars. Watch “Louie” on FX, get the Beacon Theater special, and, if you’re not already, get on board for what I hope will be a very long ride.

::[Links]::
Buy Live at the Beacon Theater (Louis C.K.’s website)
Louie Official Show Site
Louie on Netflix (stream instantly)
Interview on NPR’s Fresh Air
Late Night with Jimmy Fallon (Part I)
Late Night with Jimmy Fallon (Part II)
Louis takes questions from fans on Reddit
Slate’s review

Written by Gabrielle

December 28, 2011 at 6:30 am

Posted in film

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What to Listen To: The Functional Nerds

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Anyone who follows me on Twitter knows that I’m a huge fan of arts & culture radio programs and podcasts. One of my favorites is produced by the science fiction and fantasy site SF Signal. Once a week they have a round table discussion with authors, bloggers, and other genre experts on a specific topic and then an author interview on a following day.

Patrick Hester, an author and blogger, is the host of the podcast and musician and blogger John Anealio is a sometimes guest. Both of these guys host an offshoot podcast, or what I consider to be an offshoot, called The Functional Nerds, also a weekly favorite of mine.

Once a week these two knowledgeable guys interview either a science fiction or fantasy author and discuss writing, music, movies, occasionally video games, and any other pop culture happening that comes to mind. Lately, they’ve branched out to include guests who might not have written a book but who are capable of discussing something nerdy.

When they asked me to be on the show, having first gotten to know each other through an author and then on Twitter (isn’t that how everything happens these days?), I was beyond psyched. Together with author Karin Lowachee, the four of us were to each come up with something we were nerding out about.

Oddly, or perhaps eerily, Karin and I both picked the FX show Sons of Anarchy. In the following podcast, you’ll hear me attempt to describe it and then Karin save us all from my bumbling. She does an impressive job explaining the deeper themes of the show — bringing in the Shakespearean elements and discussing why the characters are so compelling. Patrick decides he’s nerding out about Christmas, which is difficult for East Coasters (okay, me) to think about because it’s barely below 60 degrees here. Karin, at the last minute, because we’d doubled up on our nerdy picks, gave a plug for the graphic novel Damaged, the story of three brothers who choose different paths for meting out justice. You can read her interview with one of the creators, Michael Schwarz, at SF Signal.

And then finally, John threw us all back to the late-80s with his thoughts on Crowded House (opens with sound), possibly best known for their 1987 hit Something So Strong. Him and I then discuss a brief history of electronic music, referencing Squarepusher, Aphex Twin, Amon Tobin, and the German techno scene happening now — with my suggestion, Pantha Du Prince.

A good time was had by all. I hope you’ll listen. Here’s the link.

Written by Gabrielle

December 22, 2011 at 5:59 am

cultivating your geek cred: sci-fi for non sci-fi fans

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it doesn’t feel natural to me to like science fiction. i was never a superhero person. i liked Archie Comics. the characters were super-normal teens with super-normal problems. archie had confusing issues with two girls, betty and veronica (who may or may not have been best friends). jughead, an asexual, skinny hamburger-lover was chased relentlessly by gawky, love-struck “big” ethel. there was nothing fantastical about it. i tend to enjoy realism. i watch dramas. i read biography, science, and politics. i think using Photoshop is cheating. yet, i felt as if i was missing out on something.

i came across Heroes before i knew it could be classified as sci-fi. it didnt hit me until after i was nearly done with the series that that’s precisely what it is. it’s format is inspired by a marvel/dc-type comic book. i absolutely loved this show. the characters are layered and the creepy cliffhangers will hook you. it was a sad day to see this one end. now available at netflix for instant viewing.

Blade Runner, the book. i have the movie in vhs format but never got around to watching it. a few weekends ago, listening to podcasts, i’d heard novelist jonathan lethem talk about philip k. dick, the classic sci-fi author. i was already headed to the bookstore but never thought i’d go to the science fiction section. it was an odd feeling. all those so-called boy books. i headed straight to D on the shelf with the title jonathan mentioned in mind. i couldnt quite bring myself to buy it but was forever chronicled by my camera phone. the following week i was early for a train to long island. i found a place to sit outside and looked in my bag for something to read. after half-grabbing at what i saw i realized i didnt feel like reading anything i’d brought with me. in normal circumstances i wouldve made do but  at that moment i was staring straight at the Penn Plaza Borders. ‘just buy a cheap mass market’, i thought to myself. surely a $7.99 paperback in a time of reading-material-crisis wouldnt count towards my terrible book hoarding habit.

sci-fi is notorious for it’s mass market format. the small, cheap throwaways. and luckily, probably due to their popularity, the section was on the first floor, across from the cashier. i dug through my mental index and came up with a few names: gaiman, bradbury, asimov, dick. as i made a quick round through the alphabet, i had a few books in my hands but nothing that stood out, until i saw Blade Runner. i never knew philip k. dick wrote it, an embarrassing oversight by someone who owns the vhs. with a deep sense of shame in tow, i made my way to the checkout counter, hoping the guy or girl ringing me up wouldn’t mock me, silently, for jumping on the Blade Runner bandwagon a few decades too late.

i’m almost finished with it and can definitely say it’s worth reading if you’re curious about sci-fi. the humans in the story have this quirky fascination for animals. before the author makes it clear why, you get a sense that they’ve become scarce. you soon find out why. the bounty hunter, our protagonist, has an electric sheep but leads his neighbor to believe it’s real. live animals are more expensive than the knock-offs so having one speaks to your social status. their religion is interesting too. although kept in the background and semi-vague, the people have something called Mercerism, named after its creator and figurehead. it appears to tranquilize the people and give a feeling of  communalism, although through a solitary, sterile process.

the action takes place in the story of the bounty hunter and the hunted. the human and the androids. robots—androids—are used by the humans for mundane tasks but increasingly, they’re becoming more like humans and getting harder to tell apart. if this book hadnt been written in 1968, the premise would seem stale, but it works and stays fresh this many years later.

definitely a great intro to sci-fi literature.

other links:
To the Best of Our Knowledge: Writers on Writing – Jonathan Lethem discusses Philip K. Dick

Written by Gabrielle

September 5, 2010 at 10:44 am

Posted in books, film

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